January/February 1995
Utne Reader
Voyager's maiden voyages were 12-inch laser discs of great
films--King Kong, Citizen Kane. Then in 1989 Stein and
company brought out what's generally considered the first consumer
CD-ROM, a multimedia guide to Beethoven's Ninth Symphony. In the
years since, Voyager has produced a flood of grown-up titles,
including an interactive Hard Day's Night; Who Built
America?, a people's history (you can click to hear labor songs
and personal narratives) that's particularly dear to Stein's
activist heart; a Stephen Jay Gould book on Darwin; and Art
Spiegelman's pathbreaking comic Maus.
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Stein's take on Voyager's role in the digital revolution is a
careful blend of humanism, historical sense, and anti-authoritarian
conviction. 'Hundreds of years ago,' he says, 'life was visible.
You could go down to the blacksmith's shop and watch the guy shoe a
horse. Nobody knows or sees how things work now; technology is
hidden from us. That's where I think multimedia can come in--by
giving an author a broader palate to work from. If something can be
more impactful by being shown than written about, then it's great
to have that option.'
At the same time, he takes a stand against engulfment by images.
'The entertainment industry wants to make all CD-ROMs more or less
like movies,' he says. 'We stand for the idea of maintaining a
space for the stuff that has to be in print--the thoughtful and
more abstract material. It's a matter of maintaining choices, a
matter of maintaining democracy in the electronic world.'
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