January/February 2002
Philip Connors The Georgia Review
I turned to walk away, but she called my name.
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'You live close by?' she asked.
'Three blocks this way,' I said, pointing down the street.
'I tellin’ you,' she said, waving the scrap of paper under the
street lamp.
'I’ll be there,' I said.
Two years of nine-to-five had tamed my undergraduate hope of
changing the world. I had seen such disillusionment in the adults
around me all my life—despising them for it, in fact—yet I tried to
be amazed at how quickly my own idealism had been eroded by routine
and a middling salary.
Unlike my colleagues at the office, however, I hadn’t let my
privilege steel me against those who didn’t share it. The fact was,
I had more or less blundered into my current position—the usual
striver’s tale of desperation, luck, and a single useful
connection. My memories of waiting in line with my mother at the
town hall for a handout of government cheese were still nearly as
real to me as my copyediting duties at The Wall—Adventures
in Capitalism!—Street Journal.
Although my politics were vaguely socialist, I understood more
clearly than ever the seduction of a philosophy of rational
markets. The tentacles of the system had begun to fasten themselves
on me. I now had a 401(k) account, and I could see how easy it
would be to lose oneself inside a private reverie of corporate
dividends and compound interest, mutual funds, bond prices, IPOs,
and ten-year Treasury notes.
The Journal focused on titans of commerce and empire. I
worked in the midst of intelligent and well-meaning adults who
believed it was downright immoral to help people, because charity
merely encouraged an unhealthy dependence. I read these sentiments
in the editorial pages—read them more religiously than did the
converted, believing that to ignore them was a supreme act of
naïveté—and I stewed and fulminated privately. So privately, in
fact, that when I was promoted from copy boy to editor on the arts
page and took up residence in the same precinct as the editorial
writers, it was assumed by many that I was a fellow-traveling
reactionary. I quickly found it necessary to make a small but
visible statement of dissent, so I tacked a poster of Ralph Nader
to the wall of my cubicle. It seemed to create a dead zone around
my desk. Those few of my colleagues who dared to make small talk
with me did so in a conspiratorial whisper.
Still, a purely symbolic resistance would not, I concluded,
suffice. Sure, I could surreptitiously publish book reviews in
obscure leftist journals, but what difference would that make? I
had long since admitted that I didn’t have the temperament for the
theatrics of civil disobedience. I was not, by nature, an organizer
or an activist. My zone of humane rebellion, I decided, would be
that ill-defined borderland between the public and the private
where so much of daily life plays out—especially for those of us
who live amid the density of the world’s great teeming cities.
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