The Revolution Will Be Televised
The top 10 counterculture characters in TV history
September/October 2002
Jefferson Reid Utne Reader
Tune in, turn on, drop out. That '60s counterculture catch phrase
is more likely these days to evoke an evening on the sofa with the
tube than a mind-expanding trip of consciousness-raising or
cultural opposition.
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But the tedium isn't the message. At least not the only message.
Ironically, even from the sofa, you're prone to see characters who
embody ideals and lifestyles outside the mainstream.
Over the years, countercultural characters have turned up in the
unlikeliest spot-prime time TV-calling attention to marginalized
(or demonized) topics like the sexual revolution, alternative
medicine, and progressive politics.
Maynard G. Krebs, The Many Loves of Dobie Gillis
(1959-63)
TV's original, like, beatnik, Maynard G. Krebs (Bob Denver, who
later played the title role in
Gilligan's Island) was a
surprisingly anti-establishment voice of slacker insouciance in the
'I like Ike' era. While his good buddy Dobie was chasing skirts and
pathetically trying to fit into the button-down world, scruffy
Maynard was bashing bongos, dodging work, and coyly critiquing the
establishment-all the while spewing hepcat slanguage (Ya dig,
Daddio?). Given to praising jazz greats like Thelonious Monk and
Dizzy Gillespie, Maynard made it hip to be beat for millions of
mainstream kids who otherwise might never have heard of
Ferlinghetti or Kerouac.
Oliver Wendell Douglas, Green Acres (1965-71)
Going back to the land was anything but bland when Oliver (Eddie
Albert) and Lisa (Eva Gabor) moved from a Manhattan penthouse to a
Hooterville hen house. Initially as clueless as any utopian hippie
farmer, Oliver had his own spin on being one with the earth.
Absurdly insisting on wearing suits to do the chores, city slicker
Oliver was given to spontaneous romanticized orations about Yankee
farmer self-reliance (complete with fife player) and found himself
surrounded by comic manifestations of what Marx termed rural
idiocy. More than just
The Beverly Hillbillies in reverse,
Oliver and crew created some seriously silly absurdist theater in
the fallow corny fields of prime time.
Lincoln 'Linc' Hayes, The Mod Squad (1968-73)
The original undercover brother, black militant cop Linc was the
superbad third of
The Mod Squad. The three were wayward,
painfully relevant youths who came around to the right side of the
law-working for the Man, but only to help the Kids. Seen alongside
his hippie-dippy cohorts (Pete and Julie), reformed Watts rioter
Linc (Clarence Williams III) seems like a real revolutionary. With
his groovy shades, hip threads, and high-rise Afro, Linc is one of
the coolest dudes in TV history. He was often heard spouting
over-the-top lines like 'He's a soul brother. I don't fink on soul
brothers.' Or his all-purpose signature line: 'Solid!'
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