The Man Who Loves Cities
New Urbanist godfather Leon Krier wins major prize
November / December 2003
Jay Walljasper Utne magazine
Leon Krier, a European architectural theorist credited with
inspiring the New Urbanist town planning movement, has been awarded
the first Driehaus Prize for Classical Architecture. Awarded by the
Notre Dame architecture school and a panel of distinguished
designers, the prize was conceived by Chicago businessman Richard
H. Driehaus as a way to honor top architects working in traditional
and vernacular styles.
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The award stands as an alternative to the prestigious Pritzker
Prize, which, according to New Urban News (April/
May 2003), 'honor[s] designers of flashy, stand-alone modernist
buildings. Never has the Pritzker honored . . . design that relates
to how buildings fit together to form towns or cities.' Like the
Pritzker Prize winners, Driehaus winners receive $100,000. Krier,
57, is one of the first and fiercest critics of modern urban
planning. Since the 1960s he has meticulously detailed the failures
of contemporary megaprojects, offering his own alternatives
inspired by enduring architectural principles.
Modern zoning codes -- which divide cities into sectors devoted
exclusively to housing, shopping, offices, and so forth -- have
been particular targets in his lectures, writings, and witty
polemics. In one cartoonlike sketch from the 1980s, he compared
modern zoning to an experimental diet in which a person consumes
only water on Monday, meat on Tuesday, fat on Wednesday, and so
forth. By the following Monday, he scribbled, 'Individual Deceased,
Experiment Discontinued.' He implies that we are killing our cities
in much the same way.
Krier's greatest accomplishment has been to convince many young
architects around the world that towns no longer have to be built
according to the rigid dictates of modernist philosophy. Designer
Andres Duany relates how, as a founding partner of the trendsetting
Arquitectonica firm in Miami, he listened to Krier speak about the
advantages of traditional urbanism. 'After a couple of weeks of
real agony and crisis,' Duany recalls, 'I realized that I couldn't
go on designing these fashionable tall buildings. . . . Krier
introduced me to the idea of looking at people first, and to the
power of physical design to change the social life of a community.'
Duany and his partner Elizabeth Plater-Zyberk went on to design the
town of Seaside, Florida, the pioneering New Urbanist development
in America.