The Chick Lit Challenge
(Page 2 of 2)
March / April 2004
Anjula Razdan Utne magazine
But, as author Hanne Blank pointed out in the Baltimore-based
weekly City Paper (Sept. 10, 2003), we're not talking
about the Great American Novel here. 'Our entertainment reading
choices, by and large, are not precisely gems of deathless prose,
world-changing philosophical tours de force, or breathtakingly
unpredictable in their characterizations or narratives,' Blank
writes. 'The chick lit juggernaut of consumerist husband-hunting
femme stereotypes is no less a pastiche (and in many ways no less a
parody) of culture's directives to women than, say, Tom Clancy or
Dean Koontz novels are . . . of the cultural directives aimed at
men.'
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So is the critical uproar over chick lit over the top? Could be.
After all, who says that trashy beach reads can't coexist with
smart postfeminist books? (One of the points of third-wave,
'lipstick' feminism, is exactly that -- that women don't have to be
one kind of human being, with one kind of pleasure, all the time.)
Even within so-called chick lit, there is variety in quality and
subject matter (witness new branches like 'mommy lit' and 'Latina
lit'), and it is hard to make generalizations -- another lesson of
modern feminism.
Most chick lit isn't out to change the world anyway, only to
reflect a part of it. And, as Helen Fielding, the grande dame of
chick lit, pointed out in 1998: 'If we can't laugh at ourselves
without having a panic attack over what it says about women, we
haven't got very far with our equality.'
So until the novels of Jhumpa Lahiri or Margaret Atwood or Annie
Proulx start being marketed with pumps, purses, and martinis on
their Easter-egg-colored dust jackets, why worry about it? There's
no rule that says we can't have our Woolf and our Fielding too.
(Mrs. Dalloway and Bridget Jones would have got along
swimmingly.)
And maybe we can do even better than that. Hanne Blank thinks
that chick lit can and should be improved. 'The solution to bad
chick lit isn't to get rid of chick lit, it's making the effort to
produce a chick lit that's more nutritious, more interesting.'
After all, there's more than a little of the chick lit spirit in
the novel-of-manners tradition that produced Jane Austen -- and
who's to say that this thriving genre won't produce a modern-day
Austen who can turn Prada, martinis, and the quest for Mr. Right
into literary gold?
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