Utne Weeder
Our favorite new books, music, & more
May / June 2004
Staff Utne magazine
MUSIC
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SERBIAN Balkan Brass Fest by Boban
Markovic Orkestar (Piranha). In this gypsy-filled corner of Europe,
brass bands aren't relegated to parades and football games but are
woven into the very fabric of life. Markovic's wildly energetic
compositions put all Sousa comparisons to rest, as he and his
dozen-strong band show listeners a honking good time. -- Keith
Goetzman
ROCK So Much for the City by the
Thrills (Virgin). It's hard to place the Thrills -- are they a
cross between the Beach Boys and Big Star or Wilco and the Flaming
Lips? Their good-vibe music so gracefully spans genres and eras
that when the string section unexpectedly gives way to a
marvelously distorted electric guitar solo, you just follow their
laid-back California attitude and go with it. -- K.G.
POP Feels Like Home by Norah Jones
(Blue Note). She could have faded into obscurity after the runaway
success of 'Come Away with Me,' but Jones maintains her momentum
with a batch of fresh songs -- most by her bassist, Lee Alexander
-- that showcase her sultry phrasing and smart pop-jazz
sensibility. This music is organic, roomy, and welcoming. --
K.G.
CUBAN Classic Meets Cuba by the Klazz
Brothers and Cuba Percussion (Sony Classical). Setting famous
classical melodies to a Latin beat reeks of marketing crossover
gimmickry, but these German and Cuban musicians pull off the fusion
so adeptly you'll be too busy dancing the mambo to care. --
K.G.
JAZZ Strange Liberation by Dave
Douglas (Bluebird). Douglas seems to thrive on collaboration, and
guest guitarist Bill Frisell proves an especially potent catalyst
on this album, prodding the trumpeter to great heights as a
bandleader and player. The result? An all-over-the-place post-bop
sound that is relentlessly engaging and expansive. --
K.G.
EASTERN EUROPEAN Music of Eastern
Europe by Harmonia (Traditional Crossroads). Those
who enjoy both plaintive melodies and frenetic toe-tapping should
like the music of Harmonia, a band made up of first- and
second-generation immigrant musicians from Croatia, Hungary,
Ukraine, and Slovakia who met -- where else? -- in Cleveland. --
Chris Dodge
FOLK Deeper Waters by Robin and Linda
Williams (Red House Records). Traditional without being stodgy,
sentimental without being saccharine, the Williamses have carved
out a sweet spot on the roots-music landscape. This is their best
album since 1998's Devil of a Dream, with their trademark harmonies
conjuring a rural America that is equal parts hope and trouble. --
K.G.