Polyrhythmic Patents
Brazil is leading the charge for a new definition of intellectual property that puts people over profits
March / April 2005
Leif Utne Utne magazine
Forget those song-swapping teenagers targeted by music industry
lawsuits. Critics of the restrictive, heavy-handed approach to
intellectual property (IP) favored by large corporations now have a
new champion: Brazil.
RELATED CONTENT
Remember the gene patent rush? Companies dashed to call dibs on DNA, while citizens wrung their han...
Perhaps the best-known African singer of all, N'Dour is widely known for his hit '7 Seconds' with N...
Some ethnic groups suffer particular ailments at higher rates—think of Tay-Sachs disease among Ashk...
Patscan @ the University of British Columbia May 20, 2002 Issue By Julie Madsen Patscan @ the Univ...
Yes, the country. From music to medicine, software to
agriculture, the world's fifth-largest nation has become a
laboratory for policies that seek to expand the information
commons, charting a legal course that is driving copyright and
patent holders to distraction and raising new questions about the
rights of poor countries to determine their own path toward
development.
'A world opened up by communications cannot remain closed up in
a feudal vision of property,' says Brazil's minister of culture,
Gilberto Gil, in Wired (Nov. 2004). In addition to
his government job, Gil is one of Brazil's biggest pop stars. He
has made a fortune from his own music copyrights, yet he rails
against the 'fundamentalists of absolute property control' -- the
corporations and governments that, left unchecked, would lock up
all information, from literature to DNA, and require users to pay
royalties for every scrap.
Last year Gil threw his government's support behind the Creative
Commons licensing system, a more flexible form of copyright
designed by Stanford law professor Lawrence Lessig. These 'some
rights reserved' licenses allow artists to specify allowable free
uses, such as digital sampling and noncommercial file sharing, for
their work. Putting his own money where his mouth is, Gil also
offered to re-release several of his old hit songs under the
license, free for anyone to download, sample, and reuse to their
liking. That idea hit a snag when Warner Music of Brazil, which
co-owns Gil's copyrights, balked at the notion of letting him give
away his music.
On another contentious front in the IP wars -- software --
Brazil has thumbed its nose at Microsoft and other giants. 'The
prime directive of the federal Institute for Information Technology
is to promote the adoption of free software throughout the
government and ultimately the nation,' writes Wired's
Julian Dibbell. 'Ministries and schools are migrating their offices
to open-source systems. And within the government's 'digital
inclusion' programs -- aimed at bringing computer access to the 80
percent of Brazilians who have none -- GNU/Linux is the rule.'
Page: 1 |
2 |
3 |
Next >>