Night Train to Marrakech
The clash of monotheisms as seen from the cramped quarters of a sleeper car
November / December 2005
Reza Aslan Killing the Buddha
I have always had trouble sleeping on trains. There is something
about the unrelenting rhythm and hum of the wheels as they roll
over the tracks that always keeps me awake. It is like a distant
melody that's too loud to ignore. Not even the darkness that
inundates the compartments at night seems to help. It is worse at
night, when the stars are the only lights visible in the vast,
muted desert whizzing by my window.
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This is an unfortunate quirk, because the best way to travel by
train through Morocco is asleep. The trains are flooded with
illegal faux guides, who shift from cabin to cabin
searching for tourists with whom to share their recommendations for
the best restaurants, the cheapest hotels, the cleanest women. The
faux guides in Morocco speak half a dozen languages, which
makes them difficult to ignore. Usually, my olive skin, thick
brows, and black hair keep them at bay. But the only way to avoid
them completely is to be asleep, so that they have no choice but to
move on to the next beleaguered traveler.
That is precisely what I thought was taking place in the
compartment next to mine when I heard raised voices. It was an
argument between what I assumed was a faux guide and a
reluctant tourist. I could hear an inexorable cackle of Arabic
spoken too quickly for me to understand, interrupted by the
occasionally piqued responses of an American.
I had witnessed this type of exchange before: in
grands-taxis, at the bazaar, too often on the trains. In
my few months in Morocco, I'd become accustomed to the abrupt fury
of the locals, which can burst into a conversation like a clap of
thunder, then -- as you brace for the storm -- dissolve just as
quickly into a grumble and a friendly pat on the back.
The voices next door grew louder, and now I thought I grasped
the matter. It wasn't a faux guide at all. Someone was
being chastised. It was difficult to tell, but I recognized the
garbled Berber dialect the authorities sometimes use when they want
to intimidate foreigners. The American kept saying, 'Wait a
minute,' then, 'parlez-vous anglais? Parlez-vous francais?' The
Moroccan, I could tell, was demanding their passports.
Curious, I stood and stepped quietly over the knees of the
snoring businessman slumped next to me. I slid open the door just
enough to squeeze through and walked into the corridor. As my eyes
adjusted to the light, I glimpsed the familiar red-and-black
conductor's uniform flashing across the glass door of the adjoining
compartment. I knocked lightly and entered without waiting for a
response.
'Salaam aly-kum,' I said. Peace be with you.
The conductor halted his diatribe and turned to me with the
customary 'Walay-kum salaam.' And to you, peace. His face
was flushed and his eyes red, though not, it seemed, from anger.
His uncombed hair and the heavy creases in his uniform indicated he
had only just awakened. There was an indolent quality to his speech
that made him difficult to understand. He was emboldened by my
presence.
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