Beating Bombs into Plowshares
In war-scarred countries, sculptors and smiths turn weapons into art and tools
July / August 2006
Chris Dodge Utne magazine
An unusual chair currently tours Great Britain. Look carefully
and you'll see its constituent parts: Portuguese rifles and Russian
AK-47s collected after Mozambique's 16-year civil war ended in
1992. Throne of Weapons, by an artist named Kester, is one of
dozens of sculptures made from firearms by members of the Maputo,
Mozambique-based collective N?cleo de Arte. Purchased by the
British Museum in 2002, the piece lately has gone around to British
museums, galleries, schools, and even a prison.
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Joshua Bernstein writes in Plenty (April/May 2006) that
the Mozambican nonprofit Transforming Arms Into Tools, founded by
Bishop Dom Dinis Sengulane, has for a decade now collected more
than 600,000 weapons by giving tools, building materials, bikes,
and sewing machines to Mozambicans who turn in the guns. (The
program's Portu-guese name, Transforma de Armas em Enxadas,
literally means 'transforming arms into hoes.') Thousands of those
weapons have gone to N?cleo de Arte, whose virtual exhibition Arms
into Art (www.africaserver.nl/nucleo/eng) shows the guns
transformed into human figures, birds, a reptile, a horse, and a
12-legged insectoid creature.
Kester's Throne has been so popular that the British Museum and
Christian Aid, the UK- and Ireland-based antipoverty group that
sponsored N?cleo de Arte's 2002 Swords into Ploughshares exhibit,
last year co-commissioned a larger work called Tree of Life. The
weapons that make its trunk and branches come from Sengulane's
arms-gathering program. The ultimate provider, however, is the
international arms industry itself. U.S. weapons makers delivered
arms valued at $18.5 billion overseas in 2004, roughly four times
what the next leading exporter, Russia, sent.
Given the number of weapons produced, it's no surprise that the
Mozambique arms-to-art conversion project isn't unique. In
Cambodia, where the government has destroyed more than 160,000
small arms since 1998, many in public ceremonial fires, British
activist Neil Wilford and sculptor Sasha Constable launched Peace
Art Cambodia in 2003. 'In the program's inaugural 18-month class,'
Bernstein reports, 'several dozen Phnom Penh college students
became metalworkers specializing in M-16 and AK-47 rifle
art-including a life-size [sic] Bugs Bunny and a functional
bicycle.' The resulting exhibition, To Be Deter-mined/At Arms
Length, was displayed at the Wat Phnom Exhibition Center in Phnom
Penh last year. The Peace Art Cambodia website
(www.peaceartprojectcambodia.org) shows works
remarkably similar to those made by the Mozambicans, including
chairs and animal figures.