Trauma: Get Over It
(Page 6 of 9)
July / August 2006
Joseph Hart Utne magazine
Underneath this anxiety lies a fundamental confusion about the
facts of life. We mistakenly think that happiness and personal
growth depend on a lack of threat, that safety equals a healthy
body and mind. What trauma teaches us is that the exact opposite is
true.
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It's a lesson that Sam Keen teaches at an unusual school he runs
on his Bay Area farm. Keen, whose 1991 book Fire in the
Belly (Bantam) helped launch the men's movement, has for many
years taught people -- everyday people with no special gymnastic
ability -- how to perform on the flying trapeze. It's a skill that
simply requires you to climb a skinny ladder 25 feet into the air,
take a leap into space, and rely on the off chance that you'll
catch hold of a little scrap of wood hung between two swinging
ropes. Not surprisingly, many of his students are paralyzed by
fear, even though there's a net to catch them when they fall.
'The object is not to conquer fear, but to become a connoisseur
of fear,' he explains. 'We teach our students to identify fear-to
be aware of the physical sensations of panic and fear. What happens
to them when they finally do go off the platform is that the
anxiety is translated into excitement. What was terror becomes
joy.'
It is precisely by sacrificing their safety, risking their
lives, and facing their fears that Keen's students attain not just
the thrill of flying on the trapeze, but also a sense of mastery,
competence, and exhilaration.
As a nation, we are paralyzed on the trapeze platform, frozen by
fear, unwilling to take a risk in the name of exhilaration.
When the Colombian army released Hector
Aristiz?bal after three days of torture, he turned to family and
friends for support and eventually resumed his studies, acting, and
activism. 'I was able to sustain myself because of theater and
political involvement,' he says.
Eventually he moved to California, where he helped found a
branch of the Theater of the Oppressed, an artistic movement that
seeks to bring about social change through performance. Today, he
works with prisoners, with schoolchildren, and in hospice care with
the dying and their families.
Over the years, he has come to think of having been tortured as
an initiation ritual, a wounding that has marked his life purpose.
'It's one of my many efforts to create meaning out of such an
experience,' he explains. 'I was always interested in anthropology,
and in trying to understand traditional wisdom and healing, I've
come to see that trauma is an effort of the psyche to look for
meaning and find truth and enlightenment.'
In his work with young people in the poorest neighborhoods of
Los Angeles, Aristiz?bal has incorporated elements of ritual and
initiation to help them overcome their fears and transcend their
culturally imbedded inhibitions. Even the simplest ceremonies, like
passing an object around the group, or chanting words in unison,
show him 'the joy of the kids and their desire for this kind of
experience.'
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