Damage on Parade
As we shed our inhibitions, we're shedding our humanity
Charles Foran, from the Walrus
September / October 2006
In 2003 porn actor Ron Jeremy toured American college campuses
and was greeted at every stop by fans, many of them teenagers. Few
who clamored to see Jeremy were? likely to have rented his 1988
movie 21 Hump Street or 1996's Another White Trash
Whore. They probably knew him instead through the reality-TV
show The Surreal Life and the documentary film Porn
Star: The Legend of Ron Jeremy, as well as his cameos in
Hollywood films like Studio 54. At the University of Alabama,
Jeremy participated in a series of debates with Canadian writer and
antiporn activist Susan G. Cole. At one, students cheered Jeremy's
boasts about the benefits of pornography and 'having a party' while
booing Cole for her objections, reports author Pamela Paul in
Pornified: How Pornography Is Transforming Our Lives, Our
Relationships and Our Families (Times Books, 2005). 'What's
your fucking problem?' one young scholar asked Cole during the
question period.
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Pornography peeled off its brown-paper wrapping only recently.
The way it struts through popular culture these days, waving
various small flags of faux liberation and a much larger banner
bearing a dollar sign, you might think it had gone mainstream back
in the 1960s, along with the pill. In fact, the porn parade down
the boulevards of North American life is about a decade old, and
many middle-aged watchers, unschooled in sex.com or Britney Spears,
still may not be sure what those raunchy floats and teenage pole
dancers represent. Younger observers, having grown up inside the
Internet, and anyone attempting to raise children in the early 21st
century know all too well.
The clever industry fluttering of those lesser flags-pornography
as sexual liberation, as third-wave feminist assertion, as
freedom-of-expression battleground-in the faces of concern seemed
to temporarily stifle criticism. But today, Paul and other
pioneering commentators are remarking not on the spectrum of porn
that reflects a liberated relationship with sex, but on those
activities that are symptomatic of a distorted and even abusive
vision of human sexuality. Distinguishing the exhibitionist
tendencies of giggly college girls from, say, dubiously consensual
incest websites out of Eastern Europe ought to be easy enough. But
extreme porn, especially the degraded forms that flourish in
cyberspace, invites both conflations and a tendency to
moralize.
Moral objections, however, more than legal or aesthetic ones,
may be the most instinctive response to what Martin Amis calls 'the
obscenification of everyday life.' Harm, observers assert, is being
done here. Harm to those watching extreme porn and harm to those
being watched. Harm as well to community standards, especially
those concerning young people, who still deserve our protection and
guidance. Finally, harm is being done to all our fragile sexual
selves, which may be incapable of withstanding the relentless
assaults of a multi-billion-dollar industry whose principal effect
is to make a mess of our relationships.
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