Sending a Message
Young activists put their doubtsand dreams into words
September / October 2006
Walidah Imarisha and Not4Prophet, Chesa Boudin, and Kenyon Farrow, from the book Letters from young Activists
Written correspondence is often lamented as a lost art, but
the book Letters from Young Activists (Nation Books, 2005) cuts
against that conventional wisdom. The compendium includes dozens of
incisive missives to addressees who range from real people ('Dear
Secretary of State Condoleezza Rice') to symbolic ones ('Dear
Doubter') to entire movements ('Dear Punk Rock Activism'). The
letters reveal a younger generation of socially conscious,
culturally aware people reflecting on the past and speculating on
what the future holds for their movements, and themselves. These
are a few of our favorites.
-The Editors
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Dearest Hip Hop,
What's up? It's been a minute since we had a sit-down together.
I mean, I still see you at shows, we give each other a pound, and
sometimes we even kick it at my spot and listen to records. But it
ain't like it used to be. You've changed, and I didn't want to
admit it. I been thinking about it a lot lately. I see you
everywhere I go, and you all up in folks' mouths that don't have no
right to call you by your true name, 'cause they don't know even
half the game. Sometimes it feels like you forgot where you came
from, or someone's trying real hard to make you forget who you
were, and that you coulda been more than a contenda, back in the
day.
Oftentimes, I wonder if you even remember the times when we
would hang out at the cement city schoolyards in the south, South
Bronx, plug into a lamppost, scratch scavenged sides simmering with
stolen sounds and spit street science and inner-shitty subversion
all night, and say 'fuck you' to the popo as they rolled by, afraid
to disturb our anti-governmental groove, un-regimented rhymes, and
anti-authoritarian azz shaking.
You were born a bad azz bastard b-boy/girl, a historical hybrid
full of as many counter_cultural contradictions as the project
physicians that brought you into creation, built from bad breaks
and basuras, cross colors and Krylon. You were salvaged from
garbage cans and demolition dumps, boosted in bulky parkas, and
borrowed from our mom's 45 collection, scrawled on the stank subway
6 train, and plastered on piss-filled platforms and sacred
playgrounds.
You were our 10-point program, our list of demands, a
declaration of existence, our statement of resistance, a shout
(out) from those whose tongues had been previously tied by the
shitstem, a voice for those who were not supposed to be seen or
heard. Because you existed, we persisted. And you were as
rebellious as a riot, as insubordinate as us, a borrowed
black-brown-Boricua bible tribal tone poem pieced together from the
Samo shit talk and sabotage Spanglish, a ghetto griot's god-guided
tour of every gutter and all-borough bombing. You were just as hard
as Harlem, as bad as the Boogie Down and Brooknam, and as stunning
as Strong Island, St. Albans, and Shaolin.
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