Steeped in Tea
(Page 8 of 8)
Utne Reader January / February 2007
Andy Isaacson Utne Reader
Tea and coffee have long represented a great
yin-and-yang duality. In The World of Caffeine
(Routledge, 2001), authors Bennett Alan Weinberg and Bonnie Bealer
lay out these opposing aspects: Coffee is male; tea is female.
Coffee is boisterous, hardheaded, and down-to-earth; tea is
decorous, nurturing, and elevated. While coffee is associated with
work and passion, tea reflects spirituality and contemplation.
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In light of coffee's historic associations, it comes as no
surprise that it became the symbol for the defiant American
revolutionaries. More than two centuries later, a kinder, gentler
revolutionary spirit continues, playing out-naturally, as goes
America-in the marketplace. 'An impetus for me in designing Numi's
packaging was to infuse the most mundane activity, walking through
a grocery store, with the sublime and rich in self-reflection,'
says Numi Tea co-founder Reem Rahim. 'What other way to
subversively create a revolution-in this sense, a spiritual
revolution-than through art and tea? I believe that tea, and art,
are part of a feminine energy that is starting to permeate through
our shift in consciousness.'
Rahim's desire to redirect society sounds markedly similar to
another cultural creative's mission for his own company. 'Our
secret and subversive agenda,' Mel Ziegler wrote about founding the
Republic of Tea, 'was to bring Americans to an awareness of 'tea
mind,' in which we would all come to appreciate the perfection, the
harmony, the natural serenity, and the true aesthetic in every
moment and in every natural thing.'
But as Schor, Ray, and others point out, American society is
evolving to that place anyway, becoming a little more yin, a little
less yang; a little more feminine, a little less masculine; a
little slower, a little less fast. The course tea has taken in this
country-rejected one brisk evening in Boston, regarded as 'unmanly'
and 'un-American,' and now embraced, at least in part, as a
backlash to the dominant social paradigm dating from that historic
event-may reflect a young society maturing. 'Perhaps the exercise
in moving from Banana Republic to the Republic of Tea,' Mel Ziegler
pondered, 'is all only a projection of my own slow process of
growing up.'
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