From the Stacks: May 11, 2007
Utne Reader's library is abuzz with a steady flow of 1,500
magazines, newsletters, journals, weeklies, zines, and other lively
dispatches from the cultural front that are rarely found at big-box
bookstores, newsstands, or even online. So we share the highlights
(and occasional lowlights) of what's landing in our library each
week in 'From the Stacks.' Check in every Friday for the latest
edition.
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Hermana, Resist, a personal zine (or
'perzine') by Noemi Martinez, offers frank discussions of racism,
feminism, motherhood, and poverty. That's not a familiar confluence
of themes in the zine community, which, as Martinez notes in the
latest issue (#6), includes few writers of color. She expresses her
thoughts and frustrations with ease, through
stream-of-consciousness diary entries and poetry. I found the zine
uncommonly intimate, despite her claim that she hadn't 'given
enough of [herself]' in writing it. Though much of Hermana,
Resist relays Martinez's struggles, which, as a single mother
living below the poverty line, are considerable, bright spots
appear when she writes about her children or reports on a bilingual
production of TheVagina Monologues she took part
in. Martinez also owns the C/S Distro, which stocks and distributes zines
by women and people of color. -- Danielle Maestretti
The editors of
Other are out to stage a 'surgical
intervention' on conventional concepts of gender in the July 2007
issue. 'Don?t worry,' the editors' note reads, 'it won't leave a
scar or anything. We'll just drill a small hole in your skull,
stick the cauterizing tool inside, and burn out the part of your
brain that recognizes people as 'male' and 'female.'' A nonprofit
magazine from the Institute for Unpopular Culture, Other
focuses on the cultural and political scenes of 'new outcasts.'
Poetry, nonfiction, and comics about 'subversivism,' sex workers,
and strippers provide candid portrayals of sexual identity that
challenge the gender status-quo. An essay by Andrea Zanin showcases
the variety of sexual attractions, asserting that the male-female
gender binary isn't enough to define sexuality: 'When you're
painting with only black and white, you're only showing one
interpretation of the picture.' -- Julie Dolan