From the Stacks: August 10, 2007
August, 2007
Staff Utne.com
Utne Reader's library is abuzz with a steady flow of 1,500
magazines, newsletters, journals, weeklies, zines, and other lively
dispatches from the cultural front that are rarely found at big-box
bookstores, newsstands, or even online. So we share the highlights
(and occasional lowlights) of what's landing in our library each
week in 'From the Stacks.' Check in every Friday for the latest
edition.
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In her admirably nonjudgmental zine,
Who What When Where Why (I Think I Love
You), Lex McQuilkin shares her favorite
desperate-yet-entertaining 'Missed Connections' ads culled from two
months of surfing the Bay Area's Craigslist site. Each post's
unique grammatical style is preserved ('Your older, balding and
sexy!!'), and McQuilkin's illustrations dream up visages of the
would-be lovers in question. Some ads seem particularly ripe for
romance, like 'Love on the Muni,' in which a San Francisco bus
driver seeks 'Oh baby blue babe with your baby blue rain boots and
baby blue bike... Next time I see you I am going to swerve that
damn bus into the median and confess my loveee.' Other, less suave
writers aren't quite as endearing: 'I am looking for the drunk
chick that was at the Dragon Lounge last Wednesday night. I really
felt a connection while you were rolling around on the pool table
naked.' -- Danielle Maestretti
The Seattle-based arts
magazine Resonance is the journalistic equivalent
of that kid on the playground who always had the coolest new toys.
The August issue sports a sleek new logo and a tasteful cocktail of
the latest visual art, music, and writing, including reviews of the
new Drinky Crow toy and some haunting Icelandic
street art. Also in the issue, books editor Nick Goman writes about
his awkward internet-based interview with renowned conceptual
artist Miranda
July, and managing editor Kris Kendall profiles Marine combat
artists -- military-commissioned artists whose drawings and
paintings depict the intensity and monotony that haunt war's
frontlines. -- Brendan Mackie
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