November 22, 2009
UTNE READER

Utne Reader Music Reviews: May - June 2008

(Page 2 of 2)

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Robert Forster
The Evangelist (Yep Roc)
Robert Forster, best known for cofounding the ’80s Australian jangle-pop band the Go-Betweens, has aged into a remarkably well-rounded tunesmith in his solo career. “Demon Days,” which he wrote with longtime songwriting foil Grant McLennan shortly before McLennan died, is slow, lugubrious, and uneasy, the sort of song that sounds maudlin if it doesn’t match your mood but powerfully affecting if it does. “Let Your Light In, Babe,” on the other hand, bounces along merrily, with ooh-oohing backup singers and a nonironic use of “babe.” Overall, though, The Evangelist exudes melancholy, even when it’s couched in chiming melodies, and Forster seems to thrive on this vibe. He admits as much on the gorgeously reflective “Pandanus”: “I love the shades of nightfall, the faded blues and grays.” —Keith Goetzman

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Steven Bernstein
Diaspora Suite (Tzadik)
After refashioning traditional Jewish melodies into popular American music styles for three albums in his Diaspora series, innovative trumpeter Steven Bernstein reaches into the history of his musical consciousness to tell the story of Jacob’s 12 sons on Diaspora Suite. As good and evil battle for power, instruments become characters in the narrative. An army of klezmer-tinged horn lines meets Nels Cline’s guitar; Ben Goldberg’s lone clarinet winds through otherworldly echoes and tweaked circle-dance rhythms; an orchestral climax of fluttering horns and manic drums heightens the drama. Bernstein’s fierce knack for musical storytelling coupled with his band’s improvisational spirit and diverse repertoire of influences make this the highlight of the series. —Jennifer Odell

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