Why Essays Are So Damned Boring
(Page 4 of 4)
July-August 2008
by Cristina Nehring, from Truthdig
Take the case of Laura Kipnis and her recent volume, The Female Thing: Dirt, Sex, Envy, Vulnerability (Pantheon, 2006). While there is a great deal for which this book can be faulted, it has been attacked not for the dearth of its author’s talent so much as for the breadth of her ambition. It is the size of her topics that gives her highbrow critics pause: “What is dirt?” Kipnis asks, in a book in which she attempts to explore “the female psyche.” Her New York Times reviewer responds disdainfully, “Which raises the question: Who is Laura Kipnis?”
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In other words, how dare she ask such questions? Well, Seneca would have said, how dare she not? Life is short. It is a disgraceful thing that a man “should have a wisdom deriving solely from his notebook. . . . Assume authority yourself and utter something that may be handed down to posterity.” This is what Kipnis tries to do, and she should be saluted for it, not mocked. Her shortcomings lie elsewhere. But the territory she marks out for herself and the boldness with which she sprints into it are cause for gratitude. It is what all essayists should do.
Cristina Nehring writes regularly for several publications, including the Atlantic, Harper’s, and the London Review of Books. She is the author of A Vindication of Love: Reclaiming Romance for the 21st Century, to be published by HarperCollins in 2008. This piece originally was published in Truthdig (Nov. 29, 2007), a progressive online journal that goes “beneath the headlines” to deliver in-depth news and opinion; www.truthdig.com.
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