November 22, 2009
UTNE READER

Blue Notes

(Page 5 of 5)

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Most of us, depressed or not, have had the experience of being profoundly moved by a piece of music when we hear a particular sequence of notes, played in a particular way, at a particular time in our lives. In the normally functioning brain (as opposed to the depressed brain), sad music may actually perform the function of restoring our happiness—or at least our emotional equilibrium. Sad music, as Huron suggests, may ground us. This may explain why anyone can go online and find lengthy discussions among people who, far from avoiding Garnet Rogers and Rufus Wainwright, actively seek, share, and revel in sad music.

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“Can anyone recommend some pensive, melancholy, dirgelike chamber music for rainy days and blue moods?” writes “Crotalus” on the website Ask Metafilter. Among the many, wildly eclectic suggestions he received: the Albinoni Adagio, Cantus in Memory of Benjamin Britten by Arvo Pärt, the album Early Music by the Kronos Quartet, instrumentals on David Bowie’s album Low, and the soundtrack from the film Donnie Darko.

As for me, I’m not going out of my way to see Guy Maddin’s film The Saddest Music in the World, but Garnet Rogers, Rufus Wainwright, and a host of other favorites are once again welcome on my iPod. As a listener, I’m grateful to have that—the strange human capacity to enjoy feeling sad—restored.

 

Reprinted from the Walrus(May 2008), a Canadian general-interest magazine with an international outlook; www.walrusmagazine.com.

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