Ladies: Time to Catch a New Wave?

Jane-Fonda-BarbarellaLady bloggers just can’t catch a break. Whether they’re writing about politics, pop culture, or what they’re wearing, women must endure disparagement from a broad range of critics. It seems they have become a screen on which to project ideas of femininity, feminism, and a woman’s place in society today. 

A recent essay in the literary magazine n+1 criticized “ladyblogs” for fussing over conventional concerns like hair and makeup. Not enough focus on “the harder to articulate, more insidious expectations about women’s behavior,” proclaimed author Molly Fischer. In short, female-interest sites like Jezebel, The Hairpin, xoJane and Rookie are not explicitly, politically feminist enough. Even using the term "lady," argued Fischer, is evidence of being uncomfortable with womanhood. If Fischer’s aim was to start a discussion, it worked. 

 Loyal readers of The Hairpin and Jezebel jumped to those sites’ defense in their own online essays. “Fischer isn’t wrong when she says the Hairpin publishes things about makeup and cats,” writes Emma Healey for Maisonneuve, “but to suggest that a site that featured “Ask an Abortion Provider” [...] or an essay on dealing with a stillbirth (just to name a few) doesn’t concern itself with the harder-to-articulateaspects of being a woman is disingenuous at best.” The value of these blogs, argues Healy, is that they do not separate being a feminist from being a woman or ‒ more simply ‒ a person.

Meanwhile, over at Thought Catalog, Joanna Rothkopf recaps the rise and near-fall of Jezebel, a bad girl site forced to clean up its impertinent tone after a semi-scandalous public interview with two of the writers. In Rothkop’s view, the repercussions (effectively silencing those writers) are evidence of a double-standard. “I am appalled by many of the things the writers said in this interview, but the fact that they were brave enough to speak as women without speaking for the whole gender is admirable and nearly impossible in a society that demands ideological consistency from women who self-identify as feminist or otherwise. […] Ultimately, women cannot break free from these imposed ideological constraints until we stop conforming to them.” 

Put it all together and things don't add up. Female bloggers are reprimanded for being audacious and criticized for being virtuous ‒ both mostly by women. It seems that feminism itself may be having an identity crisis. Women raised with the notion that they can do anything, and given the added advantage of directly representing themselves online, cannot agree on what constitutes the contemporary woman, what we should say, and how to behave. The line between established notions of femininity and rebellion is no longer clear. We are left with more questions. What does it mean to be a feminist, a woman ‒ a person ‒ in an age of such mixed messages? How do we find the “ideological constraints” from which we are to break free? If nothing else, may the debate continue.

Image courtesy of Fotopedia, licensed under Creative Commons. 

The Crockpot: A Weekly Digest 03.27.12

Origami Crane

 

Beautifully captured stop-motion origami.

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How social networks make it tough to see ourselves as part of a larger group, like say, a class.

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A NASA project that studies surface-level ocean currents is like Van Gogh’s Starry Night come to life.

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Why thinking green could actually be bad for the earth.

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What 2050 may really look like (minus the flying cars).

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Backronyms and downright falsehoods: debunking linguistic urban legends.

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The specifics on our brave new digital world.

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What house mice can tell us about where the Vikings have been.

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New research on the other carbon-dioxide problem.

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How the heat wave in the Midwest crashed NOAA’s climate software.

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David Foster Wallace wants you to turn the music down.

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A new app lets Facebook users “enemy” instead of “friend.” The app, developed by a University of Texas researcher, is called EnemyGraph, and purports to encourage a more accurate reflection of our social lives than the "friending" and "liking" can.

Image by Andreas Bauer, licensed under Creative Commons.  

 

The Crockpot: A Weekly Digest 03.23.12

Writing Man 

The physics of fiction, or literature as a moral vehicle.

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Repress U and the homeland security campus, updated for the Class of 2012.

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Why thousands of Christians are giving up carbon for Lent.

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The Republican Party’s problems with geography will only get more significant.

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Yet another reason to stress out about stressing out.

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Something we should really start telling our unsubscribers.

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How to go from the Driver By Truckers to Of Montreal in three moves or less.

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The insider story on the Easter Bunny’s checkered (and very German) past.

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Evolution might be why we can’t agree on anything—including evolution.

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The Crockpot: A Weekly Digest 03.13.12

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Was Frankenstein actually about childbirth?

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Buying this thing will make you happy.

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Grope and Pillage: The woeful budget track record of the TSA.

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Every year in Colombia there are hundreds of reported cases of the criminal use of burundanga, a mysterious drug that allegedly robs victims of their free will.

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The Great New-York-to-Paris Automobile Race of 1908.

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Life lessons learned in a French cemetery.

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A historical manuscripts cataloger spends her days archiving old letters, novel drafts, diaries, and odds and ends like Dickens’ cigar case and a lottery ticket signed by George Washington.

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Glorious day—new literary prizes for fiction and nonfiction writers!

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Why most people get divorced in March.

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Bored at work? Get started on one of these: A mural made from 450,000 staples.

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Forget your thinking cap. Slip on a white lab coat to focus your brain on a tricky task.

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The next time you cut your finger, you could save a life. A new project aims to include a bone-marrow donor sign-up kit in Band-Aid boxes. Dab some blood on the included card, put it in the provided envelope and mail it to a lab, and join the ranks of donors. “I wanted to make it as fucking simple as possible to do something good,” says Graham Douglas, the man behind the idea.

Image by D’mooN, licensed under Creative Commons. 

The Crockpot: A Weekly Digest 03.06.12

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Don’t pity the renters.

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Gingers unite! Celebrity redheads speak up for endangered orangutans.

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A new theory asks: Did an optical illusion sink the Titanic?

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This is what your brain sounds like: experimental musician Masaki Batoh turns brainwaves into spooky music.

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Six things rich people need to stop saying, courtesy of Cracked.com.

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Comics get an official endorsement.

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Hurrah for hacktivists! Operation Darknet forces more than 40 child pornography sites offline.

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“Public service and the public imagination,” opines The Nation, “have been weaponized.”

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Watch a 40-year time lapse of Las Vegas sprawling into the surrounding desert.

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Find out how many companies are tracking your every online move with just a click.

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Radioactive chandeliers (actually made from uranium) commemorate the Fukushima Daiichi nuclear disaster after last year’s Japan-bound tsunami.

Image by Anna Tesar, licensed under Creative Commons. 

Free Content Isn't Free

Newspapers Down 

The practical and moral implications of erecting a paywall are not easy to untangle. So it’s no surprise that even the big important sources like the New York Times have gone back and forth. Back in September 2007, NYT announced that its entire print edition would be available online free of charge. The risky move made a big splash in the world of online news as other less profitable papers weighed the benefits and costs of following suit.

Like a lot of news junkies, I was delighted by the decision. In fact, the idea of paying for information seemed a little absurd to me at the time. As a student at the University of Minnesota, I had complete access to databases like JSTOR and LexisNexis. I relied on the fact that if I needed a book that Wilson Library or Andersen Library didn’t have, I could order it free of charge through Inter-Library Loan. And a surprising number of assigned readings had the familiar Modern History Sourcebook URL—a huge online database of primary history—free to all.

That the New York Timeswas also free to online users made perfect sense. The Internet offered free access to dictionaries and encyclopedias—why not newspapers? Why should information and news be reduced to a buyable, sellable product? What did subscription charges and advertising revenue have to do with reporting the news anyway?

Of course, the answer is quite a lot, especially to an industry in crisis. What’s more, it seems the free content party may be coming to an end. Last week, the Los Angeles Timesannounced that it was erecting a paywall for its online edition, thereby joining the litany of other sources like the Wall Street Journal, the Boston Globe, and the dozens of local papers owned by Gannett that have already done so. Similarly, broadcasters plan to stream NCAA March Madness tournaments and analysis behind a paywall of their own.

The NYT window itself lasted just over three years. Last year—amidst critical reporting from the Arab Spring, no less—the paper announced the return of its pesky paywall, and that was the beginning of the end. But if smaller publications breathed a sigh of relief, the respite probably didn’t last.

For a struggling paper or magazine, the less consumers expect to get free content, the better. Newspapers have been hemorrhaging revenue since the late nineties, and it’s difficult to see how a traditional business model can respond to online content. But at the same time, many have become dependent on the very media that so threaten their existence.

Take bloggers. As Kevin Drum argues in Mother Jones, bloggers, like himself, rely on an enormous pool of free online content to glean and contextualize information. It’s a role created by a media landscape that couldn’t possibly be replicated any other way. But it’s also a role that many newspapers and print magazines have embraced, and now may need to preserve.

Even more traditional journalistic tasks are beholden to the Internet. When I was an intern at In These Times back in 2010, we relied on free online content for fact-checking. That academic journals, government databases, and newspapers were digitally at our fingertips made checking accuracy much more efficient and organized. And while In These Times and countless other publications certainly conducted fact-checking before the Internet came around, many of them also had larger staffs then—even whole fact-checking positions. Today, smaller staffs and fewer resources mean efficiency is at a premium, which again makes online all the more essential.

Similarly, the Internet’s rise has enabled and perhaps compelled the explosion in freelance and contract labor in journalism and publishing (not to mention those tricky unpaid internships). And now, proofing, copyediting, and fact-checking are even being outsourced from struggling newsrooms to foreign countries, reports Megan Tady of FAIR Extra.

“A new era of journalism is certainly upon us, where a newspaper simply can’t be successful without an online presence,” she writes. “Many journalists like to think that they’re irreplaceable, while media companies are beginning to think that they’re outsourceable.” In more ways than one, the rise of the Internet is responsible for this crisis, but ironically, the Internet is also necessary for the freelance editing and outsourcing that a lot of papers rely on to stay alive.

And of course, it wasn’t always about survival. The costs of doing business in the new era are wreaking havoc on what used to be essential for good journalism, writes former Inquirer reporter Chris Satullo. “Your real worry should not be whether newspapers survive,” he argues. “What you should worry about is the future of newsrooms, those buzzing, resourceful dens of collaboration that make everyone who works in them better than they could be alone.” 

Newspapers and magazines do have choices, but not many. If more of the big names rebuild their paywalls it may take some of the pressure off smaller and more local publications to provide free content. The alternatives—relying on unpaid labor, scattering newsrooms across the country and overseas, dumping foreign correspondents and bureaus—are not pleasant. The trouble is no one wants to be first to take the plunge. When the London Times imposed a paywall in 2010, they lost ninety percent of their online readership in less than three weeks, apparently proving the theory that online users will simply go somewhere else to avoid paying.

But so far, the New York Times’ model has fared much better (even as some readers beat the system), and this is good news for smaller sources. If consumers can get over their abrasion to paying for news, and if news sources can get over their fear of asking for it, the Internet may be a far less threatening place for journalism. 

Sources: New York Times, Los Angeles Times, Gannett, All Things Digital, Mother Jones, FAIR Extra, Newsworks, PBS, American Journalism Review, The Guardian, Columbia Journalism Review, Wired.  

Image by SusanLesch, licensed under Creative Commons.  




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