November 21, 2009
UTNE READER

A Seven-Step Program to a Quieter, Less Muscular, Patriotism

A veteran wonders whatever happened to the resolute, undemonstrative strength of Gary Cooper?

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Originally published by TomDispatch. 

I have a few confessions to make: After almost eight years of off-and-on war in Afghanistan and after more than six years of mayhem and death since "Mission Accomplished" was declared in Operation Iraqi Freedom, I'm tired of seeing simpleminded magnetic ribbons on vehicles telling me, a 20-year military veteran, to support or pray for our troops. As a Christian, I find it presumptuous to see ribbons shaped like fish, with an American flag as a tail, informing me that God blesses our troops. I'm underwhelmed by gigantic American flags—up to 100 feet by 300 feet—repeatedly being unfurled in our sports arenas, as if our love of country is greater when our flags are bigger. I'm disturbed by nuclear-strike bombers soaring over stadiums filled with children, as one did in July just as the National Anthem ended during this year's Major League Baseball All Star game. Instead of oohing and aahing at our destructive might, I was quietly horrified at its looming presence during a family event.

We've recently come through the steroid era in baseball with all those muscled up players and jacked up stats. Now that players are tested randomly, home runs are down and muscles don't stretch uniforms quite as tightly. Yet while ending the steroid era in baseball proved reasonably straightforward once the will to act was present, we as a country have yet to face, no less curtail, our ongoing steroidal celebrations of pumped-up patriotism.

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It's high time we ended the post-Vietnam obsession with Rambo's rippling pecs as well as the jaw-dropping technological firepower of the recent cinematic version of G.I. Joe and return to the resolute, undemonstrative strength that Gary Cooper showed in movies like High Noon.

In the HBO series The Sopranos, Tony (played by James Gandolfini) struggles with his own vulnerability—panic attacks caused by stress that his Mafia rivals would interpret as fatal signs of weakness. Lamenting his emotional frailty, Tony asks, "Whatever happened to Gary Cooper?" Whatever happened, in other words, to quiet, unemotive Americans who went about their business without fanfare, without swagger, but with firmness and no lack of controlled anger at the right time?

Tony's question is a good one, but I'd like to spin it differently: Why did we allow lanky American citizen-soldiers and true heroes like World War I Sergeant Alvin York (played, at York's insistence, by Gary Cooper) and World War II Sergeant (later, first lieutenant) Audie Murphy (played in the film To Hell and Back, famously, by himself) to be replaced by all those post-Vietnam pumped up Hollywood "warriors," with Sylvester Stallone and Arnold Schwarzenegger-style abs and egos to match?

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