An Invitation to Ivan Illich
(Page 4 of 6)
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Marilyn Snell Special to Utne magazine
The story of the pilgrimage is also about discipline, suffering,
and ?walking the walk.? Granted, these are odd concepts today. In
the age of quick fixes, self-help, and instant gratification, even
the word pilgrimage sounds quaint, anachronistic. Why
tramp a thousand k?s when you can drive to the music store and buy
Chant by some Benedictine monks and have a religious
experience in your living room? Both Hoinacki and Illich would
consider this question absurd.
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The story also offers the briefest glimpse of Illich?s strong
but complicated religious faith. Though Illich remains a devout
Catholic, his bond with the church has almost always been strained.
This tension, which culminated in 1968 when Illich was called on
the world?s biggest carpet, the Vatican?s, had been in the making
almost from the day of his ordination in 1951.
Illich?s work with Puerto Ricans in Spanish Harlem between 1951
and 1956 led him to criticize the American church, which he said
was imposing its values on minority groups. Later, as vice rector
of the Catholic University in Ponce, Puerto Rico, Illich took aim
at the educational system he was charged with running.
But it was as founder and director of the Center for
Intercultural Documentation in Mexico that Illich really started
ringing alarm bells in Rome. An intensive language school and
training center for U.S. priests, nuns, and brothers on their way
to Latin America, the center, known by its Spanish acronym, CIDOC,
was also the meeting ground for the dissident intellectuals and lay
religious workers, who were encouraged by Illich to question the
founding assumptions of volunteer programs for the Peace Corps to
Catholic missions. Described as a think tank for radicals, CIDOC
ran counter to everything the politically conservative church held
sacred. After several years of ?success,? Illich was summoned to
Rome.
Illich refused to defend himself ? inside or outside the
Vatican. Within the year he had resigned as an ?employee? of the
church-as-institution ? as what he has called an ?It.? But he has
never stopped viewing himself as a humble servant of the church as
?She,? a familiar and beloved place of beauty, truth, awareness,
and mystery.
Finally, and perhaps fundamentally, the story of those simple
shoes is one of friendship. Illich is deeply, irrevocably committed
to his friends. He will do everything he can for them ? give love,
guidance, comfort, and a sense of community ? but he cannot and
will not help them avoid life, which for him is not separate from
pain and suffering. The shoes helped Hoinacki make the journey but
did not insulate him from either the elements or his own inner
torments.
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