Loose Canon Part 2
(Page 4 of 6)
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Pier Paolo Pasolini: Poems (1982). The great filmmaker is also a great poet: a singer of the forgotten poor on the dirty edges of Italy's postwar economic recovery, a stunning nature poet, and a relentless examiner of his own troubled life. Kenji Miyazawa: Spring and Asura (1924). Miyazawa is a rarity: a brilliant avant-garde poet who was also a dedicated helper of the poor. These poems from once-impoverished northern Japan crackle with visionary intensity and Buddhist clarity.
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Riane Eisler: The Chalice and the Blade (1987). Eisler relates how critical the roles of cooperation and sexual equality have been in the evolution of human culture -- not only to correct the idea that might-makes-right makes history, but also to point out the direction humankind might follow from here. Susan Griffin: Woman and Nature (1978). A powerful exposition of how women and the natural world have been seen as versions of each other -- and violated in strangely similar ways.
Toni Morrison: Beloved (1987). An escaped slave murders her baby to save the child from being returned to bondage under the Fugitive Slave Act. From this terrifying true story Morrison fashions a lyrical, ghostly novel of love and remorse. Zora Neale Hurston: Dust Tracks on a Road (1942). The spirited autobiography of the Harlem Renaissance novelist and anthropologist who enshrined the poetic genius of black folklife.
August Wilson: Joe Turner's Come and Gone (1987). A revealing portrait of the African American extended family and the role mystical belief plays in it -- not just as picturesque 'hoodoo,' but as a very real tool of survival in a world that often makes no sense. Anna Deavere Smith: Twilight, Los Angeles 1992 (1994). The pioneer of documentary theater, Deavere Smith interviewed 200 people involved in some way with the Rodney King case and incorporated their words into a riveting one-woman show.
Jamaica Kincaid: A Small Place (1988). Read this unrelenting essay on the psychological effects of Caribbean colonialism and tourism and you'll understand why the guy serving you rum punches in your favorite island paradise does not like you. Gloria Anzaldúa: Borderlands/La Frontera (1987). The Chicana poet and critic uses her own life as a springboard for a freewheeling, poem-enriched collage of reflections on being Latina, being queer, and the postmodernity of the Aztecs.
Noam Chomsky & Edward Herman: Manufacturing Consent (1988). An eye-opening account about why media propaganda is subtler yet more prevalent in America than in other nations. Rick Goldsmith: Tell the Truth and Run (1996). An entertaining documentary about George Seldes, a legendary foreign correspondent of the '20s and '30s who became the granddaddy of the alternative press.
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