Ally McBeal Meets the Coppertone Girl
Cute, perky, and pointless, logo girls need to get real
By Bailey Doogan, Art Journal (www.collegeart.org/caa/publications/AJ/artjournal.html)
September/October 2001
She sold salt for a living. She was white, tiny, and cute, and I helped make her what she is today. The year was 1967, and I worked on the redesign of the Morton Salt package.
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The Salt Girl’s looks were important in persuading shoppers to buy the product. She had already been re-vamped several times since her birth in 1914. My first suggestion—to 86 the little girl—was met with horror from the client and a nervous "She’s a great kidder" from my boss.
For weeks, I churned out little girls. I made over "Mortie" (her office nickname) with long hair, short hair, straight hair, curly hair, varying degrees of femme-y dresses, and sockless or socked shoes—no pants, no boots. When the big day finally arrived, my bosses got stuck in New York traffic, which meant I made the presentation alone. Morton’s board of directors was ushered into our boardroom. The eyes of 12 men, all dressed in identical black three-piece suits, (the youngest pushing 60) were on me as I stood, looking suspiciously like a hippie to them, holding up one little girl after the other. The mood in the room was somber; no one cracked a smile.
After what seemed an interminable stony silence, I heard, "No long hair! She looks like a hippie!" The floodgates had opened. There was no stopping the directors: "She looks like a smarty pants!" "Too Jewish!" "No dark hair!" "She’s too old!" "Looks like a dyke to me!" "She looks easy!" "Not enough leg!" "No puffed sleeves! They call too much attention to her chest!" Her chest? What was she––7, maybe 8 years old? I fought a simultaneous need to laugh and throw up.
None of the little girls was right.
Back to the drawing board, and eventually, like Frankenstein’s monster, Mortie took shape: a head drawn by one designer, a hand from a freelancer, legs from an illustrator, the hair, dress, and shoes from—who cares?—we were all getting paid. Mortie ended up with the requisite cuteness and spunkiness, strutting her stuff in a rainstorm, letting all the product pour out.
I can’t tell you how many guys over the years have confessed their fantasies to me about various little logo girls: the Morton Salt Girl, the White Rock Soda Maiden, the Coppertone Sun Tan Lotion Girl, the Clabber Baking Powder Girl, and more.
My friend Harold spent hours as a boy squinting at the White Rock bottle’s two-inch-high image of the nymph on the rock to see if she had nipples. One day he spied a White Rock truck at the end of his block. The naked nymph was huge on the side panel. Harold couldn’t contain himself; he ran as fast as his little legs would carry him and caught up with the truck as it was pulling out. At six feet high, she still had no nipples. Harold never got over it.