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In Praise of Dumpy Dwellings

 by Keith Goetzman

Tags: architecture, design, arts, culture, The Walrus, Keith Goetzman,

Modernist kitchen 

Sleek, clutter-free modernist homes are not for everybody. In fact, sometimes they’re not even for modernist architecture writers. Design critic Adele Weder writes in The Walrus about leasing a modernist Vancouver house—the type of dwelling she has written about for two decades—only to find her minimalist ideals clashing with the messy realities of domestic family life.

“Like a surprising number of my peers in this glamorous industry, I’m a slovenly sort,” she confesses, allowing that “we do our jobs as diligently as we can, but we can’t tell you what a house is like to live in. After all, we rarely prepare a meal or spend the night, let alone settle down to live there.”

In Weder’s rented home, fingerprints and possessions easily marred the gleaming kitchen surfaces, a lack of interior walls led to a lack of privacy, and a step in the middle of the kitchen floor “triggered a series of spectacular wipeouts” for family members. “Our daughters started calling our place the hurty house,” she writes. Eventually she was forced to face a hard truth:

Source: The Walrus 

Image by thekitchendesigner.org, licensed under Creative Commons.