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No Joke: Marge Simpson in Playboy

Marge Simpson on the November 2009 cover of PlayboySimpsons fans, brace yourselves. The Huffington Post picked up an AP report that Marge Simpson will be on the cover of the November issue of Playboy, available on newsstands October 16, apparently in an attempt to attract 20-something readers into the audience—whose average age is 35.

I hate to ask a perhaps obvious question, but… shouldn’t die-hard Simpsons fans also skew that way? Not that the humor of the longest-running American sitcom doesn’t transcend the ages, but choosing a character from a show that debuted in 1989 and garnered its greatest praise in the 1990s seems a bit of a weird choice for nabbing the 20-something set.

But then there’s really nothing not weird about any of it. Kelsey Wallace over at Bitch catalogs the panoply of unanswered questions:

Honestly, I don't know what is weirdest about this. Is it:

- Playboy thinking that a cartoon character is remotely erotic/sexy to the average reader?

- The Simpsons thinking that putting their animated character on the cover of a nudie magazine is a good idea?

- That the rest of the cover is also laid out in a decidedly creepy “The Simpsons Does Porno” cartoon style? (Sorry Benecio! Bum luck getting in this issue!)

- That Playboy CEO Scott Flanders insists that the three-page spread of Marge inside the magazine contains only “implied nudity”? (Thank goodness, because the real worry here was that we might see a cartoon nip slip.)

- That this all might turn out to be a wild success, proving that I am unknowingly hooked on crazy pills?

Kelsey, you are not hooked on crazy pills. It is Marge, it is Playboy, and it is baffling.

Sources: Huffington Post, Bitch

Does America Really Need Another Pundit?

Starting at the end of the month the Washington Post is holding a contest to suss out “America’s Next Great Pundit” (that assumes we have one now…). Justin Peters over at Columbia Journalism Review came up with a clever new lineup of reality TV inspired contests the paper could (or might?) roll out next. Peters suggests plotlines for The Next Top Bad Idea, I Live in Georgetown, Get Me Out of Here!, Who Wants to Marry Fred Hiatt?, Impartial Idol, and these two gems:

Newsroom Survivor : Ten reporters are set loose in the Post newsroom and tasked with sticking around for as long as possible without being laid off, reassigned, or forced to appear on an unfunny Web video segment. Watch as participants employ survival strategies such as hiding, marrying up, or impersonating Bob Woodward. The last reporter standing wins a thirteen-week contract and a full set of Kaplan LSAT prep books.

The Apprentices : Fifty civilians are given prestigious, unpaid Post internships and set to work producing a daily newspaper. Each week their tasks get more difficult as another round of salaried and experienced employees gets laid off or bought out. Watch the hilarity as the apprentices guilelessly quote press secretaries, insert themselves into stories, and report on events by watching them on television. There are no winners in this contest.

Source: Columbia Journalism Review

What Is a Newspaper For? Really?

Cutting the Newspaper

When everything but the news is stripped out of a newspaper, publications tend to look a lot thinner. Inspired by a blog post by Clay Shirky, I decided to perform a “news biopsy” of the today’s issue of the Minneapolis Star Tribune. I wanted to separate the news from everything else in there.

I began by buying two copies of the newspaper, cutting them up, and separating the articles. One copy was for the odd-numbered pages, the other was for the evens. I then separated the articles into three categories: “news,” “advertisements,” and “other.” The “other” consisted of the opinion columns, sports, weather, comics, anything that was neither an ad nor reported news.

Here were the results:

News Ads and Other


News: 3.9 oz
Ads: 4.9 oz
Other: 7.3 oz

I then took the news pile and separated that into two categories: “created” and “acquired” news. The created news was anything with a byline from the Star Tribune. The acquired news consisted of articles sourced from the New York Times, the Associated Press, or anything outside of the Star Tribune.

Here were the results:

Created V. Acquired

Acquired: 1.5 oz
Created: 2.3 oz

The paper fared better than the Columbia Daily Tribune, the paper tested by Shirky, where two-thirds of the news was acquired and only one-third was created. Still, out of more than 16 ounces of newspaper, just 2.3 were news created by the Star Tribune. The rest, according to Shirky:

It’s not news, and it’s not hard to do, and it’s not hard to replace. No one surveying the changes the internet is bringing to the newspaper business is saying “My God, who will tell me about Big 12 football! Where will I find a recipe for spicy chicken wings!”

Source: Clay Shirky 

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If You Ran A News Organization, What Would You Do Differently?

Dan Gillmor, director of the Knight Center for Digital Media, has issued 22 new rules for news organizations. He offers up his edicts as weapons against lazy and unimaginative journalism. Here are four of my favorites:

- Transparency would be a core element of our journalism. One example of many: every print article would have an accompanying box called "Things We Don't Know," a list of questions our journalists couldn't answer in their reporting. TV and radio stories would mention the key unknowns. Whatever the medium, the organisation's website would include an invitation to the audience to help fill in the holes, which exist in every story.

- We would replace PR-speak and certain Orwellian words and expressions with more neutral, precise language. If someone we interview misused language, we would paraphrase instead of using direct quotations. (Examples, among many others: The activity that takes place in casinos is gambling, not gaming. There is no death tax, there can be inheritance or estate tax. Piracy does not describe what people do when they post digital music on file-sharing networks.)

- If we granted anonymity and learned that the unnamed source had lied to us, we would consider the confidentially agreement to have been breached by that person, and would expose his or her duplicity, and identity. Sources would know of this policy before we published. We'd further look for examples where our competitors have been tricked by sources they didn't name, and then do our best to expose them, too.

- Beyond routinely pointing to competitors, we would make a special effort to cover and follow up on their most important work, instead of the common practice today of pretending it didn't exist. Basic rule: the more we wish we'd done the journalism ourselves, the more prominent the exposure we'd give the other folks' work. This would have at least two beneficial effects. First, we'd help persuade our community of an issue's importance. Second, we'd help people understand the value of solid journalism, no matter who did it.

What would you do differently?

Source: Guardian

 

Buffy vs. Edward: Vampire Remix

What would Buffy do—if the beloved (and powerfully feminist) vampire slayer encountered the Twilight series’ Edward Cullen? Video remix artist Jonathan McIntosh has crafted an answer in a beautifully edited video mash-up: Buffy vs. Edward (Twilight Remixed).

Writing on the blog Rebellious Pixels, McIntosh explains that his video remix is more than “a decisive showdown between the slayer and the sparkly vampire.” His piece of transformative storytelling—protected under fair use doctrine—dishes out a “ pro-feminist visual critique of Edward’s character and generally creepy behavior.”

 “Seen through Buffy’s eyes, some of the more sexist gender roles and patriarchal Hollywood themes embedded in the Twilight saga are exposed in hilarious ways,” he writes. The remix also functions as “a metaphor for the ongoing battle between two opposing visions of gender roles in the 21ist century.”

Watch for yourself:

(Thanks, feministing.)

Source: Buffy vs. Edward, Rebellious Pixels

Baltic Journalists Refuse to Take It Anymore

Latvian newsstandIt’s been an exciting but bumpy ride for the independent press in Eastern Europe in recent years. In the Baltic countries of Latvia, Lithuania, and Estonia, things got a bit bumpier this summer: The editorial staff of the Riga-based Baltic Times, an English-language newspaper that covers all three countries, quit en masse in late July because they hadn't been paid in four months and say they were being forced to write articles that favored advertisers, reports Latvians Online.

The encouraging thing is that they did what used to be nearly impossible: They launched a rival publication within weeks.

Baltic Reports, which was officially launched today [August 25], is an independent online media portal established by former staff of the Baltic Times,” editor Kate McIntosh wrote in an e-mail to supporters.

“We had a disagreement with Riga staff journalists” was the understated characterization of the dispute by Baltic Times managing editor Sergey Alekseyev in an e-mail to Latvians Online. Alekseyev said the publication will continue.

In announcing their resignations, the ex-staff at the Baltic Times acknowledged financial pressures played a role in the drama—but so did journalistic standards: “While we appreciate that these are hard times economically for business and companies, we felt that it was no longer possible to continue to produce a professional product under such circumstances.”

Sources: Latvians Online, Baltic Reports

Image by PhylB, licensed under Creative Commons.




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