Out-of-focus black and white images are accompanied by a mysterious scratching, a ringing phone, an answering machine: “This is John. I’m a little too depressed to take your call just now. Please leave your message after the gunshot.” The camera focuses, revealing an extreme close-up of John Callahan, the craggy-faced quadriplegic cartoonist, at work, both of his partially paralyzed hands guiding a flow pen across a sketchpad.
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