Deep Thoughts by David Lynch
The director of Twin Peaks and Blue Velvet on calming his twisted mind
Utne Reader May / June 2007
David Lynch Catching the Big Fish
The First Dive
He whose happiness is within, whose contentment is within,
whose light is all within, that yogi, being one with Brahman,
attains eternal freedom in divine consciousness.
-- Bhagavad-Gita
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When I first heard about meditation, I had zero interest in it.
I wasn't even curious. It sounded like a waste of time.
What got me interested, though, was the phrase 'true happiness
lies within.' At first I thought it sounded kind of mean, because
it doesn't tell you where the 'within' is, or how to get there. But
still it had a ring of truth. And I began to think that maybe
meditation was a way to go within.
Transcendental Meditation takes you to an ocean of pure
consciousness, pure knowingness. But it's familiar; it's
you. And right away a sense of happiness emerges -- not a
goofball happiness, but a thick beauty.
I have never missed a meditation in 33 years. I meditate once in
the morning and again in the afternoon, for about 20 minutes each
time. Then I go about the business of my day. And I find that the
joy of doing increases. Intuition increases. The pleasure of life
grows. And negativity recedes.
Suffocating Rubber Clown Suit
It would be easier to roll up the entire sky into a small
cloth than it would be
to obtain true happiness without knowing the Self.
-- Upanishads
When I started meditating, I was filled with anxieties and
fears. I felt a sense of depression and anger.
I often took out this anger on my first wife. After I had been
meditating for about two weeks, she came to me and said, 'What's
going on?' I was quiet for a moment. But finally I said, 'What do
you mean?' And she said, 'This anger, where did it go?' And I
hadn't even realized that it had lifted.
I call that depression and anger the Suffocating Rubber Clown
Suit of Negativity. It's suffocating, and that rubber
stinks. But once you start meditating and diving within,
the clown suit starts to dissolve. You finally realize how putrid
was the stink when it starts to go. Then, when it dissolves, you
have freedom.
Anger and depression and sorrow are beautiful things in a story,
but they're like poison to the filmmaker or artist. They're like a
vise grip on creativity. If you're in that grip, you can hardly get
out of bed, much less experience the flow of creativity and ideas.
You must have clarity to create. You have to be able to catch
ideas.
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