From the Stacks: February 23, 2007
February 2007
Staff Utne.com
Utne Reader's library is abuzz with a steady flow of 1,500
magazines, newsletters, journals, weeklies, zines, and other lively
dispatches from the cultural front that are rarely found at big-box
bookstores, newsstands, or even online. So we share the highlights
(and occasional lowlights) of what's landing in our library each
week in 'From the Stacks.' Check in every Friday for the latest
edition.
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For nearly 15 years, Musea has doggedly served as a dispatch
from 'the ongoing revolution in the ARTS!' In the February issue of
this short-but-sweet zine (replete with a cool handmade bookmark),
editor Tom Hendricks cobbles together a divinely far-out roundup of
his favorite books. I have a very sensitive radar for the
'weird-for-weird's sake,' and believe me, this isn't. Hendricks
explains that he bought many of the books from library sales; I
can't think of a better way to assemble such diverse choices as
World's Best Clown Gags, Ben Bagdikian's The Media
Monopoly, and Forever Lounge: A Laid-Back Price Guide to
the Languid Sounds of Lounge Music. His enthusiasm about each
title is contagious, too -- I'm this close to buying
Elvis Presley's Graceland: The Official Guidebook, and I
don't even like Elvis. -- Danielle Maestretti
It seems like an insult to
call Esopus a magazine, though technically
that's what it is. With large, thick, full-color pages -- many of
which unfold into posters and vary in texture and size --
Esopus feels more like an exhibition catalogue that one
might purchase in a museum gift shop. The pages are full of
stunning photography, poetry, fiction, and paintings. Each issue
also comes with a music CD stuck to the back cover. Considering all
that Esopus offers, it's surprising that the magazine is a
nonprofit publication, kept afloat by generous donors and a small
subscription fee. Issue #7 features a 13-year-old's colored-pencil
war drawing, a museum guard's take on art, and eight pages of
translucent squares, perforated to be torn out for display, making
the magazine part of the art itself. -- Mary O'Regan
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