With its complex moral dilemmas and dystopian vision, The Dark Knight is an unlikely summer blockbuster and unquestionably dour as a superhero movie—but it’s still performing ridiculously well at the box office and with critics.
Some of the commentary is inevitably political, framing the film as an overt 9/11 allegory. Andrew Klavan takes things a step further in the Wall Street Journal, making a favorable comparison between the latest iteration of Batman and the Bush administration’s absolutist approaches to geopolitics, applauding the Caped Crusader for demonstrating the same decisive, nuance-free heroism that Bush supposedly does.
What Klavan seems to be missing is that The Dark Knight portrays Batman as a deeply conflicted and flawed antihero; the film excels at illustrating the moral ambiguities inherent in fighting crime or governing a populace.
On his blog, Andrew Sullivan provides an articulate rebuttal to Klavan, ultimately focusing on the failures of Bush’s cowboy swagger, use of torture, and with-us-or-against-us version of diplomacy. Sullivan concludes that those who can’t or won’t do nuance are missing the point—perhaps deliberately.