Bengal’s Baul Musicians Sing the Spirit


| 11/10/2009 12:01:58 PM


Kartick Das Baul

These groups of artists, many of them men, live together and play music night and day. Easily identified by their patchwork clothes and the instruments they carry, they live as outsiders, rejecting social hierarchies in favor of a collective mindset.

No, I’m not talking about an anarchist folk-punk band in Seattle, but the Baul musicians of Bengal, their more spiritually minded Eastern kin. Musician and writer Valentine Harding writes in the September-October issue of Resurgence about visiting a group of Bauls in West Bengal, India, who carry on this centuries-old folk tradition. A musician named Ananda welcomes her to his ashram, or “place of spiritual practice,” a small communal group where the Bauls live in harmony with nature:

Every morning and evening, Ananda and others play kirtan and bhajan devotional songs, their music greeting the dawn or fading into the night sky. All Baul music is intimately connected with Nature’s rhythms. Ananda says, “The birds, trees and animals listen to our music, and when we sing, we connect with their inner being.”

One of the Bauls’ biggest fans, Harding writes, was the Bengali poet, writer, philosopher, and social reformer Rabindranath Tagore, who became entranced by their music and their ideals and incorporated Baul themes into his poetry, music, and drama:



Tagore’s praise of Bauls and his adoption of their themes in his work enhanced their reputation, because in spite of being regarded as saintly musician-mystics, they nonetheless had a low status and lived on the fringes of society. Fortunately, today in West Bengal and Bangladesh, Bauls are becoming more respected by many people for their way of life, their spirituality and their music, and are often seen as representing ideals for a more equal and just society.



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