Being Gay in Major League Baseball


| 11/8/2010 12:43:07 PM


Tags: baseball, Glenn Burke, Oakland A’s, Los Angeles Dodgers, Dusty Baker, Davey Lopes, homosexuality, don’t ask don’t tell, arts, Michael Fallon,

Out movie poster 

Certain intransigently conservative institutions, such as the U.S. military or professional sports leagues, may not be the barometer of up-to-date national attitudes toward difference and diversity, but they can be important bellwethers of things to come. For example, Harry Truman’s Executive Order 9981 moved, in 1948, to end discrimination in the military by banning the segregation of Army units along color lines. While the order was unpopular in the military, Truman’s move was one of the earliest tangible steps toward the Civil Rights Movement of the 1950s and 1960s. Another institutional bellwether—one that may have influenced Truman’s decision on military segregation—was the sport of baseball, which had just broken its own color line in 1947.  

The slow evolution of prejudices and bigotry in institutions such as the military and baseball are very telling. During the late 70s and early 80s, long after the bulk of Civil Rights Acts had become law, American views of gays remained particularly harsh. The arrival of HIV stirred up all kinds of national phobias, and the 1978 murder of Harvey Milk and an attack against skater Dick Button in Central Park were only two among a spate of homophobic hate crimes. That homosexuals were discriminated against in the workplace is evident in the Department of Defense’s Directive 1332.14, which, in 1981, made the discharge of gay and lesbian soldiers mandatory. Meanwhile, in baseball during that era—as is evident in “Out: The Glenn Burke Story,” a new documentary produced by Doug Harris and Sean Maddison—being gay was widely recognized to be, as one of the era's top stars put it, “a kiss of death for a ballplayer.”

The soul’s journey of Glenn Burke began in 1952 in Oakland, California. As the film describes, Burke’s was an outsized athletic talent. At Berkeley High School, he excelled at baseball and basketball. After high school, at the age of 20, he was drafted by the Los Angeles Dodgers in the 17th round of the 1972 amateur draft. According to Dodger scouts interviewed for the film, his relatively low draft position was not due to any qualms about his talent, which got their highest ratings for speed, arm strength, and raw power. Rather, the team worried that Burke was ultimately more interested in playing basketball. Burke, however, saw baseball as his most likely means to success, and he signed with the team in time for the 1973 season.

Burke immediately began moving up through the Dodgers’ farm system, showing he was a legitimate candidate for the major leagues. At the same time, the team also developed concerns about Burke’s behavior. In the minors, Burke was an inconsistent teammate, sometimes a clubhouse cutup, and other times sullen and moody. He often fought with the managers, and he kept personal habits that were different from other players—living at the YMCA, for example, rather than in a house with some of his teammates. Dodger upper management, which touted the team’s traditions and conservative values, worried increasingly about how to “reach” the off-beat young player. The Dodgers’ general manager at the time, Al Campanis, took two unusual, and telling, steps: First, he assigned one of the team’s top stars, Reggie Smith, to room with Burke during spring training; then, he offered Burke $75,000 if he would settle down and get married. Burke’s growing self-awareness and sense of humor were evident in the young player’s reported response: “I guess you mean to a woman?”

In 1976, the Dodgers’ outfield was depleted by injury, and the team brought Burke up from the minors. While he was mediocre at the plate that season, in the field he was spectacular—running down certain base hits from his spot in centerfield, representing a constant threat to steal or score runs on the base paths. Even more important, many Dodger veterans saw the spirited and witty young player as the glue that helped hold together a mismatched bunch of strong-willed veteran players. “He was the guy who kept the chemistry going in the clubhouse,” said the Dodgers’ All-Star second baseman and team captain, Davey Lopes. Burke grew close to players like Lopes, Dusty Baker, even the team’s clean-cut star Steve Garvey, and by 1977, he had performed well enough to start in centerfield and bat lead-off for the Dodgers in the opening World Series game against the New York Yankees. Still, despite Burke’s progress, management remained split on the young player, and, early in the 1978 season under questionable circumstances, the Dodgers suddenly traded Burke to the Oakland A’s for an aging veteran named Billy North.