Literary Categories are So Last Century

| 6/15/2009 1:56:08 PM


Increasingly, we are a global community of migrants. In this era of unprecedented mobility, boundaries seem more permeable, and indeed arbitrary, than ever.

Enter the hybrid. Not the car, the literary genre. Are genre categories like poetry and prose just so 20th Century? The spring issue of Dislocate magazine seems to say, yes. The editors have put together a collection of prose poems, lyric essays, and flash fiction that address the theme of migration through either form or content. By resisting proscribed boundaries, the writing opens up new possibilities in form and content.

Take Gregg Willard’s “Pop”, which gleefully straddles the line between poetry and prose.  It begins:

dislocateWhen I was a boy my father told me, “If you go to any more movies, you’re going to turn into a movie.” I kept going to movies. When I turned into a movie it turned out to be a Japanese science-fiction movie. The dubbing was very bad...

“We are interested in work that addresses form but also breaks away from it,” says Editor-in-chief Shantha Susman. “What does it mean to dislocate, to take it away from its natural place?”

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