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Video: Dancing on Old Media's Grave

We've seen empty newspaper boxes turned into planters, which felt a little like a funeral. Another newspaper box hack, by artist Jason Eppink feels a little like dancing on Old Media's grave.

Source: Boing Boing

Utnecast: A Conversation with Cory Doctorow

Cory Doctorow in office

The latest episode of the Utnecast is live. It's my interview with science fiction writer, blogger, activist, and Utne visionary Cory Doctorow. Doctorow talks about his penchant for giving digital editions of his books away and his passionate critique of any person or entity that attempts to quash creativity with copyright laws.

Listen to the interview at the Utnecast blog or subscribe to the Utnecast at iTunes. Enjoy!

Image by Paula Mariel Salischiker, licensed under Creative Commons.

Everyone’s an Author, But Is Anyone Worth Reading?

Blogging ThisIn just four years, everyone on earth may be an author. When books were the dominant form of publishing, a small minority of the world’s population had their words published. Now, Twitter, Facebook, and social networking sites are making authors into the majority. From the year 1400 to 2000, according to Denis G. Pelli and Charles Bigelow in Seed, the number of published authors rose by tenfold every century. For the past decade, authorship has grown by tenfold every year. Eventually, the authors predict that everyone on earth will be published.

Near-universal authorship is changing society, Pelli and Bigelow write. People are “trading privacy for influence,” and businesses and governments are being forced to adapt to the power that individuals now wield. People who fret about illiteracy throughout the world may soon extend their concern to people who can’t publish.

That concern is misguided, Albert Jay Nock writes for the American Conservative. Universal literacy creates near-universal mediocrity in literature, according to Nock. Teaching the world to read creates a market for schlock that forces worthwhile literature out of the market. In the article, which is fittingly behind a paywall, Nock writies:

The average literate person being devoid of reflective power but capable of sensation, his literacy creates a demand for a large volume of printed matter addressed to sensation; and this form of literature, being the worst in circulation, fixes the value of all the rest and tends to drive it out.

Nock laments mass literacy for the bad writing it creates. He should prepare for mass authorship.

Source: Seed, American Conservative (subscription required)

Image by  Foxtongue , licensed under  Creative Commons .

UPDATE: We tried to reach Albert Jay Nock for a comment, but found the conversation a trifle one-sided. Indeed, Nock has been dead for more than half a century. We regret the error.

Journalists and PTSD: File Your Story and Move On

Toy soldiers 

Before the identity of the shooter at Fort Hood was revealed, press reports were already talking about Post Traumatic Stress Disorder and the stresses of an army fighting two wars.

What about the journalists who cover those wars? Over at In These Times, Kari Lyderson reports on a conference organized by the International Society for Traumatic Stress Studies:

CNN and former Atlanta Journal Constitution reporter Moni Basu described the effects of a career including seven stints in Iraq and covering executions by electric chair in Florida.

“You’re watching a man take 18 minutes to die...and then you’re supposed to just go file your story and move on,” she said.

...CNN cameraman Mark Biello was suffering nightmares and other signs of PTSD, that boiled over in a road rage incident where he accosted a cab driver.

“Every time you see things your cup gets fuller, and there’s only so long before it overflows,” he said.

...Reporters say it is harder than ever to persuade employers to make resources or even time available to address job-related mental health. But the need is greater than ever, as staff-cutting and belt-tightening often means heavier workloads that only add to stress. The issue is even harder to address for freelancers, who often don’t have health insurance or one steady employer.

Source: In These Times 

Image by Kyle May, licensed under Creative Commons .

How to Rob a Bank and Get Caught

Bank Notes bookFor nearly a decade, writer and artist Ken Habarta has been scanning newspapers, FBI alerts, and the internet for information on bank robberies. He's especially drawn to robberies that involve a note. "The single most popular way of robbing banks," he says, "is the quieter, gentler act of passing a note." Gone are the days of pistols in the waist line.

Habarta posts the notes, security camera stills, and other details of bank robberies to his blog, Bank Notes (he released a book of the same name before taking the project online). And he knows his notes.

"There are notes that clearly convey experience. Most of these guys tend to be repeat offenders," he explains. "A lot of first timers throw everything into the note: I've got a bomb; I've got a gun; I know where you live. These people often get caught shortly thereafter."

He revels in the absurdities. "The average take is between $2,000 and $3,000, but what's bizarre is the amount of people who write in demands of how much they want. There was one person who just wanted $100."

One absurdity is his own creation: a robbery note generator. Click "Go" and you get as many notes as you can stomach:

Stay calm. Don't be stupid. You have 15 seconds.

I have a gun. 100s, 50s, 20s. Thanks.

Stay cool Put it in the bag. You have three minutes.

Think! I have a gun.

Most robbers hardly need a note. "I really think down the road they'll institute a dress code for banks," Habarta says. "You walk into a bank and you've got giant spectacles, a cowboy hat, and a huge beard... these are red flags."

A Dayton Daily News article, which Habarta linked to, addresses the bank dress code issue:

"If you see a guy (in a bank lobby) with a baseball cap, dark glasses and a mustache (or) beard, it’s probably a bank robber, not a customer," said Lt. Larry Faulkner of the Dayton Police Department. Faulker said the disguise is so common, he advises tellers to call the police if they simply see a man dressed in that manner waiting in line.

The FBI and police nationwide are advising banks to adopt a policy of "no hats, no hoods, no sunglasses, no cell phones" to head off robberies. More banks are doing so, but in some cases the idea is pitting police against bankers concerned about alienating law-abiding customers.

Bank robberies have declined over the years, said Special Agent Harry Trombitas of the FBI's Columbus office, but the numbers could be even lower if more banks had the "no hats" policy.

It's all a little sad. But it's fascinating too. I can't stop scrolling through Habarta's vignettes. And there's something else I can't stop: the echo of Greg Beato's Mug Shot Nation piece we ran a couple of issues back. Beato wasn't talking about bank robbery images, he was talking about our voyeuristic obsession with the mug shots that splash across television screens, websites, newspapers, and magazines. Unflattering photos of people who, in some cases, have been convicted of no crime (and may in fact be innocent). The people that appear on Bank Notes are guilty and they've got the big glasses and the beards to prove it. Still, Beato's critique resonates:

If appearing in this context is a fate so unpleasant that it can persuade other people to avoid engaging in illicit behavior, then surely it constitutes a penalty. And it’s a penalty that’s being applied without the hassle of due process.

We tend to overlook this fact because, frankly, it spoils the mood. The presumption of guilt makes it easier to justify laughing at 23-going-on-zombie crack whores and bug-eyed misfits sporting felony-caliber mullets. They deserve the derision they get—they’re criminals! But the joke is really on us. As law enforcement agencies expand their powers of surveillance, as they encourage us to think of punishment without due process as standard operating procedure, we not only tolerate it, we click and click and ask for more. If America’s citizenry were more uniformly presentable, and its mug shots correspondingly less entertaining, we might protest these developments more strongly. Instead, we simply laugh at the latest person guilty of wearing a cow costume while being arrested, then pass along the link to our friends.

And after all of that I've still got Bank Notes open on my desktop. And I'm still clicking on the note generator:

This is a robbery. No dye packs. Hurry up.

Money now.

Stay calm.

Should Journalism Students Cover War?

Embedded PhotographerFar from the cozy classrooms of American journalism schools, students are venturing to remote and often dangerous parts of the world to learn how to dig up a scoop. The Ryerson Review of Journalism reports on one program that embedded students with soldiers in Iraq. Another school sent students to electronic waste dumps in Ghana, India, and China, potentially exposing them to toxic chemicals and roving bandits.

One student have hailed her out-of-the-classroom experience as “probably one of the best experiences I’ve had in journalism.” The programs have horrified others, including Klaus Pohle of Carleton University, who called the Iraqi embed trip “terribly irresponsible.”

What do you think? Should journalism students visit dangerous parts around the world? Or should war zones be left to the professionals?

Source: Ryerson Review of Journalism 

How Many Words Do You See in a Day?

Words

According to a post on the Guardian's digital technology blog, "news sites average around 450 links on their homes pages, whereas 10 years ago they averaged just 12 links per home page." And you're probably clicking on those links. What does it all mean? The New York Times interface specialist and lead researcher, Nick Bilton, spells it out:

If you pick up a US or UK newspaper you'll see four to six stories on the front page and maybe eight to 10 refers to other stories, that's an average total of 12 headlines on one page. In contrast, the average news website has 335 story or section links on their homepage. So we're showing people online 300 more options on one page than we show them in print. And we wonder why people have information overload of content.

…It is a fascinating fact is that if you go online and visit 200 web pages in one day—which is a simple task when you could email, blogs, Youtube, etc.—you'll see on average 490,000 words; War & Peace was only 460,000 words.

(Thanks, A Photo Editor.)

Source: Guardian

Image by Pink Sherbet Photography, licensed under Creative Commons.




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