Ah, cookbook season. Publishers tend to release a lot of cookbooks right-before-the-holidays, and wouldn’t you know: We’ve been seeing a lot of fine food volumes pass through the Utne Reader library lately. Here are a few highlights:

Multi-cookbook authors Isa Chandra Moskowitz and Terry Hope Romero continue their dessert domination with Vegan Cookies Invade Your Cookie Jar, which Da Capo will publish on November 15. Their previous effort, Vegan Cupcakes Take Over the World is a standby in my kitchen; the straightforward recipes deliver delights that shame dairy-laden alternatives. Vegan Cookies contains a lot of promising recipes—including one for graham crackers, yum. Moskowitz also published Vegan Brunch this past June.

Also in the category of sequel cookbooks: Jennifer McCann’s Vegan Lunch Box Around the World, a charming cookbook that Da Capo published in September. McCann’s previous, Vegan Lunch Box, is a collection of simple-to-make, fun-to-eat foods inspired by packing school lunches for her son.

Anyone interested in eating seasonally might want to check out Clean Food by Terry Walters. Walters is a certified holistic health counselor, and Clean Food, published by Sterling this September, is based on the concept that people are “better off eating closer to the source and relying on Mother Nature for seasonal produce to keep us in balance.”

Also seasonally organized: Louisa Shafia’s Lucid Food, easily the prettiest cookbook in the bunch. Shafia, a chef and educator, runs an ecofriendly food consultancy and catering company that shares her cookbook’s name. Lucid Food, published by Ten Speed later this month and packed with gorgeous photographs, continues in the publisher’s tradition of coffee-table worthy cookbooks (a la Heidi Swanson’s Super Natural Cooking on the Celestial Arts imprint).

Finally, from chef Daniel Orr and Indiana University Press, FARMfood is an ambitious volume of inventive recipes, like tuna steak au poivres and cabbage putanesca. Orr left behind the globe-trotting phase of his career to open FARMbloomington in Indiana, his home state, and FARMfood is a cheerful blend of haute- and down-to-earth cuisine.

Sources: Da Capo, Sterling, Ten Speed, Indiana University Press

When playing with Legos, it’s important to keep the “four-er flat hinge-y bits” separate from the “clippy bits.” Every Lego enthusiast, or family of Lego enthusiasts, seems to develop their own language to tell a “T-shaped joiney thing” apart from a “car mirror piece.” Writing for The Morning News, Giles Turnbull conducted a highly scientific survey of two American children and two British kids about what they call the different Lego pieces. That way, if someone asks for a “golden snapper” readers will know they really need a “flat clippy piece.”

Source: The Morning News 

Image by  Woodley Wonderworks , licensed under  Creative Commons .

Sometimes a piece of nonfiction rolls around that, without even meaning to, puts in vivid perspective just how unwriterly a fair bit of nonfiction (especially memoir) can be. In the Fall 2009 issue of Ruminate, April Schimdt’s “40 Days” is just that piece—a captivating, expertly crafted story about intimacy, marriage, and faith, made searing by the periodic remembrance that it’s not a work of fiction.

Source: Ruminate

Image by Hammer51012, licensed under Creative Commons.

We Utne Reader editors love a good, geeky style row. (Recent disputes: Should Google, when used as a verb, be capitalized? Should we the titles of online publications be roman or italic?) And when we’re hashing things out, we tap every resource at our disposal: dictionaries, our awesome copy editor (hi Lynn!), published precedents, and, of course, stylebooks like the AP and Chicago guides.

Well, in that last category, there’s a new kid in town: Fake AP Stylebook, now up and running on Twitter, happy to irreverently answer your most irreverent style questions. The feed looks to be only about a day old, so who’s to say how long it’ll last—or if it’ll entirely go off the rails. For the time being, it’s definitely good for a nerdy if slightly off-color chuckle. Some highlights:

-- Use ‘sick!’ in brackets as an editorial comment on something awesome. Ex: ‘Apes with flamethrowers [sick!] burned the police station.’

-- Use quotation marks to express skepticism: Cher’s “Farewell Tour,” Creed’s “Best Album,” Jay Leno’s “comedy.”

-- @jason1749: We suspect you mean “teh.” The popularity of “the” will fade as the Internet fad passes and we return to teletypes.

Source: Fake AP Stylebook

(Thanks, kaeti.)

Just in time for sounding extra-smart when discussing health care, Merrill Perlman dissects the finer points of how to correctly use insure, assure, and ensure for Columbia Journalism Review’s Language Corner. Allowing for the fluidity of English (and subtle, disputed uses), Perlman still manages to boil down general proper rules into one illustrative sentence: “In Washington, legislators are trying to ‘assure’ their constituents that they are working to ‘ensure’ that any new health-care bill will ‘insure’ them.”

Source: Columbia Journalism Review

“For environmental, business, and political organizations alike, the term that has come to stand for the hope of the natural world is ‘sustainable,’ ” Curtis White writes in Tin House. “But you would be mistaken if you assumed that the point of sustainability was to change our ways.” In the essay that follows, an excerpt from his latest book The Barbaric Heart, White offers a vivid critique of the mainstream response to the environmental crisis.

At the core of our problems, White argues, is something he calls the Barbaric Heart—visible in the ways that our culture considers violence a virtue—and its fundamental discord with the professed values of sustainability. He writes:

The artful (if ruthless) use of violence is obviously something that we admire in those sectors of the culture that we most associate with success: athletics, the military, entertainment (especially that arena of the armchair warrior, Grand Theft Auto), the frightening world of financial markets (where, as the Economist put it, there are “barbarians at the vaults”), and the rapacious world we blandly call real estate development. . . .

The idea that we can “move mountains” is an expression of admiration. When it is done with mammoth machines provided by the Caterpillar Company of Peoria, Illinois, it is also a form of violence (as the sheered mountain tops of West Virginia confirm).

To any complaints about the disheartening destruction and injustice that comes with such power, the Barbaric Heart need only reply: the strong have always dominated the weak and then instructed them. That is how great civilizations have always been made, from the ancient Egyptians to the British in India to Karl Rove and George Bush.

It’s a whirling, complicated critique—but wholly worth reading. Tin House also followed up with White in a delightful e-mail interview.

Source: Tin House

Nearly everyone knows the adage don’t kiss and tell—but what if we ought to apply the humble ethos to books? Writing for The Walrus, Adam Sternbergh argues that reading is a supremely intimate act, singular among the arts in the way that writers “hijack” our minds.

“Consider something even as silly and modest as this article,” Sternbergh writes. “I’m in your head right now. You have graciously allowed me to slip inside the private sphere of your consciousness, if only for a few minutes.  . . . This is very different from how we experience any other kind of art: No matter how much you enjoy a painting or revel in a symphony, there’s not a sense that the painter has hijacked your eyes or the composer has hijacked your ears.”

Thus, Sternbergh concludes: “So if reading—in this sense of pleasurable invasion—is a sexual experience, then the book club is the equivalent of a locker room. It’s the place where we gather to swap and compare notes after the fact, clumsily recounting the deed in a way that can’t help but undermine and cheapen the very experience we’ve gathered to celebrate.”

Is it a sign of how far solitude has fled from our socially-networked culture that reading a book, adoring it, and not trying to explain why to anyone . . . sounds like quite a clandestine thrill?

Source: The Walrus

Image by Stephen Brace, licensed under Creative Commons.