The once-strong relationship between art and religion–a relationship that inspired stunning works of art from ancient history through the Renaissance and beyond–has been strained in recent years. Art critic and historian Rosalind Krauss made note of an “absolute rift” between art and religion back in 1979. But one only has to consider the furious reaction of the religious public to the most well-known art-world images that reference religion since then–Andres Serrano’s photograph “Piss Christ” (1987), Chris Ofili’s mixed-media painting “The Holy Virgin Mary” (1996), Renee Cox’s