The Rise of the Creative Class

By Julie Madsen
Published on September 1, 2002

The Rise of the Creative Class

What enables a city to prosper in the current economy?
Creativity, according to Richard Florida, who in an excerpt from
his upcoming book featured in The Washington Monthly,
has tracked the demographics of vital cities and found a distinct
pattern: Cities with a high degree of the ‘creative class’ — a
segment of fast-growing, highly educated, and independent-thinking
workers — are more likely to succeed than those with a low
proportion.

The creative class is a crucial part of a city’s demographic,
because ‘these people contribute more than intelligence or computer
skills,’ Florida writes. ‘They add creative value. Members of this
super-creative core produce new forms or designs that are readily
transferable and broadly useful.’

However, cities often fail to attract the creative class because
they are locked into old patterns of development, such as investing
in retail malls, sports arenas, and chain restaurants — precisely
the kind of environment that the creative class avoids.

‘Most experts and scholars have not even begun to think in terms of
a creative community,’ writes Florida. ‘Instead, they tend to try
to emulate the Silicon Valley model which author Joel Kotkin has
dubbed the ‘nerdistan.”

If cities are to lure the creative class, Florida states, they must
adapt to these expectations and concentrate on the well-being of
their people. They must remain ‘open to diversity and actively
[work] to cultivate it, and [invest] in the lifestyle amenities
that people really want and use often.’
–Julie Madsen
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