Quitter #7: May


| 7/5/2017 9:33:00 AM


Tags: Quitter #7, Trace Ramsey, Pioneers Press, Musings, Arts,

Trace Ramsey’s All I Want to Do is Live (Pioneer’s Press, 2017), personalizes common themes of survival, depression, and life in America at a time of division and upheaval. In this collection of essays, flash nonfiction, and poetry, Ramsey examines his family history and shows us how darkness can trickle through generations. He looks to people like his grandparents and his partner for hope and works to move beyond abuse and mental illness to find what is worth passing on to his children. In a unique voice of clean, deliberate prose, he relays stories about the damage of the past and recovery in the present that is both brutal and achingly pretty. As the personal often sheds light on the universal, Trace’s memories of his childhood and the scenes from his life today also give us the story of our time, our country, and a people longing to find substance, freedom, and meaning. The following excerpt is the fifth in a series from the chapbook “Quitter #7 (2013).” For part four, see Quitter #7: September.

To find more writing that piques our interest, visit the Utne Reader Bookshelf.

My first name is rumored to have a basis in a tool known as the oscilloscope, a small bench-top machine that measures the wave shape of electrical signals. The lines appearing on the screen of the oscilloscope are referred to as the “traces”, usually just one but up to several lines on a basic X,Y divided axis. When I was a kid my brother and I would mess around with our father’s oscilloscope, try to get the lines to make crazy shapes or pretend we were in a space capsule and the lines were voice transmissions from beyond some moon. We did not understand what the oscilloscope’s purpose was other than to make a bunch of squiggles on the screen when you fiddled with the knobs. And that was enough for us at the time.

We always found the oscilloscope in the middle of the workbench in my father’s shop, a small room in the corner of the enclosed breezeway dividing the house from the garage. The shop was heated, so we spent a lot of our Wintertime in there watching my father take things apart, fix something or put some piece of what-not back together. Sometimes we would help melt the solder from a variety of electronic boards and separate the capacitors and resistors into little drawers. If I close my eyes long enough and think about it, I could probably remember what the color codes on the resistors meant. We had to memorize it since we had to put the resistors in the correct drawer and couldn’t ask him every time we had to file each little piece away.

The shop was always full of disassembled VCRs, ancient game systems, black and white televisions, telephones, cable boxes, kitchen appliances. If you could plug it into a wall socket, it could be found in the shop — and usually in several different pieces. Later into our teenage and young adult years, the shop was where we would go to smoke cigarettes, drink Dad’s beer and make copies of rented movies. To all of the piles of assorted electronics, those new uses added quite a few half-full ashtrays, stacks of unlabeled video tapes and cardboard cases full of empty beer cans. The whole shop was a constant mess, a study in theoretical physics, evolution and decomposition, all in real time, all occurring only because of our existence there and our horrible habits, all ignored because of little green strings tracing across a screen.