Reimagining the Days of Our Lives
A visionary California theater company unveils a new kind of calendar
January / February 2003
Karen Olson Utne magazine
Have you noticed that the calendar seems to be losing its
personality? Week by week, box by box, it has devolved from an
eloquent representation of the year into nothing but a productivity
tool, one big numbered to-do list. “The modern calendar is a
powerful image of life as perpetual drudgery, with each day a large
number invariably leading to the next,” says Chris Hardman,
artistic director of Antenna, a Sausalito, California–based theater
company. He’s determined to help us transform our mechanical
conception of time by reinventing the calendar as both an object
and an idea.
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Hardman’s ECOlogical Calendar doesn’t look like a standard
calendar: It’s long and uninterrupted, unfolding from left to
right; and it begins not with January 1, but with the winter
solstice, December 21. The months are given evocative names—“Ember”
for December, “Celeste” for January, “Bluster” for March. (Hardman
was inspired by the French revolutionists, whose radical departures
from the ancien regime included the creation of the
revolutionary calendar of 1793, on which months were renamed with
terms that evoked heat, cold, and other natural forces.) Even the
days have monikers in Hardman’s system: “ClearNight” for January 9,
“WindChill” for the 10th, “BurrowNests” for the 13th. The day-names
are keyed to a narrative that runs along the bottom of the
calendar: ClearNight signals the coming of the WindChill factor;
animals avoid the cold in BurrowNests. The point is to use lyrical
stories to connect people with natural cycles and rhythms.
By starting on the winter solstice, Hardman returns the
calendar to a more nature-centered approach to time. Hardman also
plays down the week, that primary organizer on today’s daytimers.
In nature there is no such thing. “We’re not interested in having
days that have numbers following one after another in a lock-step
march . . . from 1 to 30 and back again,” says Hardman, who works
with a staff of 10 at Antenna, where so far they’ve developed two
seasons of the calendar.