March 21, 2010
UTNE READER

Reimagining the Days of Our Lives

A visionary California theater company unveils a new kind of calendar

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Have you noticed that the calendar seems to be losing its personality? Week by week, box by box, it has devolved from an eloquent representation of the year into nothing but a productivity tool, one big numbered to-do list. “The modern calendar is a powerful image of life as perpetual drudgery, with each day a large number invariably leading to the next,” says Chris Hardman, artistic director of Antenna, a Sausalito, California–based theater company. He’s determined to help us transform our mechanical conception of time by reinventing the calendar as both an object and an idea.

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Hardman’s ECOlogical Calendar doesn’t look like a standard calendar: It’s long and uninterrupted, unfolding from left to right; and it begins not with January 1, but with the winter solstice, December 21. The months are given evocative names—“Ember” for December, “Celeste” for January, “Bluster” for March. (Hardman was inspired by the French revolutionists, whose radical departures from the ancien regime included the creation of the revolutionary calendar of 1793, on which months were renamed with terms that evoked heat, cold, and other natural forces.) Even the days have monikers in Hardman’s system: “ClearNight” for January 9, “WindChill” for the 10th, “BurrowNests” for the 13th. The day-names are keyed to a narrative that runs along the bottom of the calendar: ClearNight signals the coming of the WindChill factor; animals avoid the cold in BurrowNests. The point is to use lyrical stories to connect people with natural cycles and rhythms.

 By starting on the winter solstice, Hardman returns the calendar to a more nature-centered approach to time. Hardman also plays down the week, that primary organizer on today’s daytimers. In nature there is no such thing. “We’re not interested in having days that have numbers following one after another in a lock-step march . . . from 1 to 30 and back again,” says Hardman, who works with a staff of 10 at Antenna, where so far they’ve developed two seasons of the calendar.

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