Utne Reader Book Reviews: November-December 2008
November-December 2008
by Staff, Utne Reader
Delta Blues
Curse Of The Black Gold: 50 Years of Oil in the Niger Delta
photographs by Ed Kashi; edited by Michael Watts (powerHouse)
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Welcome to the other end of your gas pump: the Niger Delta, a major supplier of U.S. oil and, as depicted through photojournalist Ed Kashi’s lens, a scarred hellhole of a place ravaged by a corrupt government, a savage military, and ravenous multinational oil corporations. You could call Kashi’s large color-drenched photos gorgeous, but it’s an unsettling beauty: rich in misery, lush in heartache, saturated in tears.
His landscapes are stunningly bleak: A slaughterhouse site runs with rivers of red; outhouses perch on stilts over the ocean; a slum lies in ruins, sacked and burned by soldiers. But his portraits of the Nigerian people capture pride in the face of oppression, glints of hope on the dark side of an economy built on extraction.
Kashi’s photos are paired with essays, reports, and interviews that flesh out the backdrop to the story (fact: the country makes $45 billion a year in oil revenue, yet most of its citizens live on less than a dollar a day). But it’s his eye for telling visual detail that gives new, haunting resonance to the question “Pay at the pump?” —Keith Goetzman
We Could Be Heroines
Hellions: Pop Culture’s Rebel Women
by Maria Raha (Seal Press)
Famous rebels, whether they are real-life stars or imagined characters, have been largely defined by mainstream perceptions of rebellion. Hellions examines the confined role of the female rebel, often remembered for her self-destruction, aggressive sexuality, or uncouth behavior—a cautionary tale rather than an encouraging model of feminine empowerment. Author Maria Raha explores the lives of legendary resisters, from the freethinking Virginia Woolf to Marilyn Monroe to Rosie the Riveter, the rabble-rousing campaign face of female factory workers, and urges us to reexamine the media’s one-dimensional interpretation of their stories. We need, she writes, a popular image of women who are simultaneously intelligent, sexual, strong-willed, and self-reliant to inspire rebellion in the rest of us. —Kari Volkmann-Carlsen
Musings on Miscellany
Collections of Nothing
by William Davies King (University of Chicago)
Cigar bands. Chopstick diagrams. A booklet containing hundreds of patterned envelope linings. Cartons of flattened cereal boxes. Meet William Davies King, who collects “nothing—with a passion.” In Collections of Nothing, King catalogs his strangely fascinating obsession with worthless miscellanea and reasons it “had to do with a personal experience of nothingness, coming from hollow afternoons, uneventful evenings, and nights alone.” Analyzing himself and his collecting, King makes a case for his bizarre method of filling the voids in his life. Should you pity him for his wasted nights or respect him for all those “committed hours of gluing”? King wants both, and his wish is not unfounded—he is only a few soup labels away from drowning in ephemera. —Elizabeth Ryan