Swing Shift

Now that martinis are almost as common as Chardonnay, what’s a
hipster to do to stay ahead of the Cocktail Nation curve? Stash
those tiki torches and the bubbly Esquivel lounge music and set
your sights back a couple of generations, when grandpa and grandma
really knew how to swing.

That’ s right, after years of being relegated to the record
collections of octogenerians, the classic swing jazz of the ‘ 30s
and ‘ 40s is back. According to the trend watchers at
Iconoculture (May/June 1997), classes in ‘Argentine tango,
Latin, and the various permutations of swing are jumping. Aviation
dances??especially the Lindy Hop??are particularly hot, more
popular now than when Lucky Lindy made the big hop across the
Atlantic in 1927.’

Leading this rediscovery are bands like the Squirrel Nut
Zippers, a North Carolina group that the The Gut (Spring
1997) describes as ‘Louis Armstrong teaming up with Cab Calloway to
play Jelly Roll Morton tunes at 78 rpm. Decked out in tuxedos and
evening dresses, the Zippers whip audiences into a frenzy of
acrobatic swinging and spontaneous conga lines.’ With sales of half
a million albums and a place on the HORDE tour, the Zippers are
bringing swing (as well as their eclectic brand of rock) to a whole
new generation.

So what’s the appeal of this burgeoning new fogeyism? Gabrielle
Turner, a Bay Area hipster who’ s not even old enough to order a
cosmopolitan, writes in Pacific News Service (May 12, 1997)
that the latest incarnation of the Cocktail Nation ‘isn’t about
partying as hard as possible. It’ s about leisure and relaxation.
Swing is about movement and releasing energy??but not so much that
your makeup gets smeared.’ Maybe it’s also about injecting a dose
of decorum into a sexually anxious era. According to Turner, part
of the appeal of swing is that it embodies ‘an almost forgotten era
where gender roles were more clearly defined… I want to chill in
a place where the men come on to the ladies in an old-fashioned

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